Art Review
Who’s the Thief in Deana Lawson’s Photography?
I wonder what the women standing perpetually accused and anonymous might say about the sale of their stolen images.
Art Review
Art Review
Richard Dadd’s Strange and Delicate Worlds
Though he is known primarily for his work of fantastical landscapes and mystical woodland creatures, a new retrospective tells the full story.
Art Review
Roy Lichtenstein Has Lost His Luster
He went from being a satirist of America’s ideals to a parody of himself, an artist content with other artists’ masterpieces.
Art Review
Truman Lowe Listens to the Water
In his first major retrospective, the Hoocąk artist transforms natural materials into fluid sculptures that carry the memory of place, ancestry, and cultural survival.
Art Review
A Felix Gonzalez-Torres Exhibition Forgets What He Was Fighting For
“Sweet Revenge” at the Reina Sofía gives the impression of a showcase of a second-generation Minimalist artist, emphasizing form over anything else.
Art Review
I Wanted a Different Betty Parsons Exhibition
It might have made a more fascinating exhibition to explore her balancing act as a gallerist, but this show focuses on her less interesting art.
Art Review
The Hellhounds of Genocide
In Ridikkuluz’s paintings, the irascible dog emerges as a symbol for Israel’s oppression of Palestinians.
Art Review
The Met’s Krasner and Pollock Show Is a Breathtaking Upending
If you’re looking for bias or reparations, these volatile contents are all on the surface, quietly and neatly presented.
Art Review
Mala Iqbal Paints the Space We Share With Strangers
Her new paintings remind us that the world is a room we share with strangers, most of whom are looking elsewhere.
Pocket Review
A Vision of Rebirth, Raw and Sumptuous
Derriann Pharr, an artist-in-residence at the Studio Museum, draws from girlhood and womanhood in works that metamorphose before our eyes.
Art Review
Paint Isn’t Just Paint at the New York Studio School
This exhibition of painters Brenda Goodman, Steve DiBenedetto, and Bendix Harms pushed me out of my comfort zone.
Art Review
The Agony and Ecstasy of Johanna Hedva
The artist’s first institutional solo in New York grapples with the idea of surrendering to the cosmos, but isn’t always convincing.