With their Fauvist hues and Pop-inflected renderings, Angus’s drawings and paintings, made amid the AIDS crisis, intrinsically queer the Western canon.
The Asian Art Museum shares with Hyperallergic some of the short films featured in its forthcoming exhibition “After Hope: Videos of Resistance.”
This week, NASA lands on Mars, retiring the Group of Seven, the Pentagon’s algorithm-driven weapons, the life of Stan Lee, Stonehenge’s Welsh origins, and more.
I cannot think of another narrative painter as expansive, surprising, funny, unsettling, tender, wacky, challenging, theatrical, and radically imaginative as Angela Dufresne.
Otero’s images of water and disaster mirror the wreckage of Hurricane Maria as well as the devastation of COVID-19.
“Living with art, I am surrounded by thoughts, visions and conversations by other artists. It’s all very intimate.”
Andrei Konchalovsky’s film depicts an artist full of ambition, paranoia, loathing, and regret.
In the late 1970s and early ’80s, women office workers banded together in a labor movement that sprouted up in 25 cities across the country.
The prog rockers of Black Country, New Road are stranded at the end of history, and don’t know where to turn.
Over 300 arts organizations discovered their Facebook pages had been removed as a result of the site’s reaction to a recent regulation over media guidelines.
The audio project I Miss My Bar lets you recreate the nightlife experiences you’re missing amid the pandemic.
“The Black Index” at UC Irvine pursues knottier narratives of self-representation.