Film
The Emotional Valences of Brutalism
Historically, cinema has invoked the architectural movement as an easy shorthand for villainy. In The Brutalist, though, it embodies a proletarian dream.
Film
Historically, cinema has invoked the architectural movement as an easy shorthand for villainy. In The Brutalist, though, it embodies a proletarian dream.
Art
Out of Site focuses on the scientific tools used to map the West’s resource-rich landscape, and how those technologies have become forces of destruction.
Art
The artist evokes a keen awareness of the threats facing the environment by honoring it through opulent, reliquary-style frames and delicate paintings.
Books
Despite its ambition to expand our definition of the creature to include other winged, hybrid beasts, Griffinology is hemmed in by a European framework.
News
Alleged editorial chats published by independent journalist Ken Klippenstein suggest the paper tried to limit the publication of photos of the accused shooter.
Podcast
The feminist artist reflects on her work in the groundbreaking Pattern and Decoration Movement, her grand public artwork, and continued political activism against war and misogyny.
News
Traces of psychotropic plant matter, human bodily fluids, honey, wheat, yeast, and licorice were detected in a vessel depicting the god Bes.
News
Advocates are pushing for legislation that would make the practice more financially feasible for both clients and aspiring providers.
Art
The artist challenges binaristic distinctions between “traditional” Aboriginal and contemporary art through works drawn from his expansive two-decade career.
News
Known for his collaborative spirit, Englander helped secure the Lower East Side nonprofit’s property for a dollar after decades of eviction threats from the city.
Film
The filmmaker seems out of his depth in Theater of Thought, too willing to let his subjects make questionable claims without pushing back or delving deeper.
Interview
“When it comes to the unspeakable facts in the history of America, it's largely the artists who've been willing to show us what others would not,” the art historian said in an interview with Hyperallergic.