Art
Nowhere to Go in a Desert of Images
In Xaviera Simmon’s CODED exhibition, now on view at The Kitchen, there are a lot of intersections between the human, sexualized (and colored) body, and wide, visually monotonous land- and seascapes.
Art
In Xaviera Simmon’s CODED exhibition, now on view at The Kitchen, there are a lot of intersections between the human, sexualized (and colored) body, and wide, visually monotonous land- and seascapes.
Comics
Told you.
Art
Antony Gormley has consistently plied a practice that's about articulations and permutations of the human body, often fabricating his forms in materials that can withstand the vicissitudes of the natural environmental.
Interview
Kate Just, an American-born Australia-based artist, has long been committed to making feminist work that examines the human body experience.
Interview
It has been exactly five years since Anders Behring Breivik murdered 77 people in Norway.
News
This week in art news: Gagosian Gallery agreed to pay $4.28 million in back taxes to the state of New York, Jeff Koons laid off 15 studio workers who were attempting to unionize, and Florentijn Hofman unveiled a giant bear sculpture made of conifer tree branches.
Art
Robbers, prostitutes, and fallen tightrope walkers: the craniums in the Hyrtl Skull Collection in the Mütter Museum at College of Physicians of Philadelphia are fractured remains of imperfect lives.
Art
PHILADELPHIA — Once upon a time, at the Philadelphia Museum of Art, there lived a family of sculptures. They were all smooth, white, and vacant-eyed.
Art
As an opera where a colossal snake and enchanted instrument play a pivotal role, perhaps it's no surprise Mozart's The Magic Flute inspired some fantastic set and costume designs since its debut in 1791.
Art
Along the 1,969-mile-long border between the United States and Mexico lie sneakers, teddy bears, toothbrushes, water jugs, tuna cans, and other miscellany — the objects left behind by migrants seeking better lives in a neighboring land.
Art
Have you ever wished you could watch Pixar’s Ice Age rendered in the post-Impressionist painting style of Vincent van Gogh, or Star Wars in the expressionistic style of Edvard Munch’s The Scream?
Art
Consider a wanderer 10,000 years in the future discovering a strange construction of granite thorns in the New Mexico desert, their points weathered by centuries, their shadows stretching at sinister angles.