Daily Newsletter
Lee Krasner Gets the Last Word
Lucy Ives reviews The Met’s Krasner-Pollock show, Editor-in-Chief Hakim Bishara interviews outgoing Yaddo President Elaina Richardson, and Aruna D’Souza profiles artist Rana Begum.
Latest
Art Review
The Met’s Krasner and Pollock Show Is a Breathtaking Upending
If you’re looking for bias or reparations, these volatile contents are all on the surface, quietly and neatly presented.
News
Pope Leo Calls to Save Art From AI
"Algorithms lack the spark of the human, whereas ‘authentic culture and art preserve this spark,’" hesaid in a recent speech.
Book Review
Turning Turner’s Legacy
“Turner and the Slave Trade” recasts Romanticism’s relationship to nature and landscape painting as a vehicle for colonial propaganda.
Interview
Elaina Richardson Looks Back at 26 Years as President of Yaddo
After stabilizing, modernizing, and diversifying the century-old artist retreat, Richardson says she's ready for a new chapter.
Community
A View From the Easel
“There’s a lot of construction going on en route. Sometimes I capture the sounds.”
Profile
Rana Begum Sees What You Don’t
“Art became a tool to communicate, at first,” she told Hyperallergic. "Then it became an obsession.”
News
Whitney Museum Union Ratifies Contract on Eve of Strike
Workers were prepared to begin their strike during the preview week of a major Roy Lichtenstein retrospective.
Sponsored
Announcement
WashU Seeks Artists in Diverse Media for Fall 2027 Entry to MFA Program
Experiment in the Sam Fox School’s expansive, state-of-the-art facilities, leveraging fellowship, residency, and research opportunities.
Daily Newsletter
Tom of Finland Foundation Turmoil
Hrag Vartanian on Mala Iqbal's vignettes of the metropolis, museum union updates, and Mamdani doubles art grants.
Weekly Newsletter
Between Worlds
Arthur Jafa at the New Museum, Teresa Margolles at MoMA PS1, the story of an unsung Black architect, and our art tarotscope for the fall.
Pocket Review
Maia Ruth Lee Invites Us to Embody the Interval
The works draw on motifs of migration, but the motifs themselves migrate across the gallery.