The Polygon Gallery in North Vancouver Presents a Handful of Dust, Curated by David Campany

a Handful of Dust: from the Cosmic to the Domestic examines dust and debris as an indicator of time, action and consequence.

Polygon
Jeff Mermelstein, Statue (‘Double Check’ by Seward Johnson), New York, 11 September 2001 (detail), 2001. Chromogenic print, 22 3/8 x 28 3/8”. Private Collection.

Opening February 8 at the Polygon Gallery in North Vancouver, Canada, a Handful of Dust: from the Cosmic to the Domestic, offers a rare opportunity to view a remarkable diversity of photographs from the last 100 years, focusing on the theme of dust – from aerial reconnaissance and forensics, to conceptual art and abstraction. More than 30 artists and photographers are featured, some of which include Marcel Duchamp, Man Ray, Louise Albin-Guillot, Walker Evans, Scott McFarland, Gerhard Richter, Mona Kuhn, Sophie Ristelhueber, Eva Sternram, Jeff Wall, and Nick Waplington.

Curator David Campany proposes a speculative history of the past century, beginning with an iconic photograph by legendary artist Man Ray picturing a sheet of glass belonging to Marcel Duchamp covered in dust. It is humble yet enigmatic. It is a document, and an artwork, one that is realist and abstract, a still life and a landscape, and perhaps even a performance. The exhibition asks, what if dust is really a key to the ensuing decades? Why do we dislike it? Dust must be kept well away from camera equipment, but it is deeply photogenic. There is something universal about dust: we come from it, go to it, and create it daily. Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis.

a Handful of Dust: from the Cosmic to the Domestic is on view at the Polygon Gallery through April 28, 2019. For more information, visit thepolygon.ca/a-Handful.