The final event in the Hirshhorn Museum’s Ai Weiwei series will discuss the challenges and necessity of art making amid political turmoil.
Ai Weiwei
Documenting the Many Contradictions of Contemporary China
The Guggenheim’s series Turn It On: China on Film, 2000–2017, curated by Ai Weiwei and Wang Fen, gathers documentaries by Chinese artists and filmmakers.
The Turbulent History of Global Chinese Art
The Guggenheim Museum’s Art and China after 1989: Theater of the World presents the conceptual and performance practices that brought Chinese artists into the discourse of global contemporary art.
A Series at the Hirshhorn and Newseum Focuses on Art & Free Speech
Presented in association with the exhibition Ai Weiwei: Trace, this conversation series will include perspectives from artists, journalists, activists, and academics.
Ai Weiwei Creates Special Edition Artworks for Public Art Fund, Exclusively Available on eBay
A collaboration between eBay for Charity and Public Art Fund (PAF), 100% of proceeds will benefit PAF’s Ai Weiwei exhibition, Good Fences Make Good Neighbors.
Ai Weiwei and Herzog & de Meuron Turn Surveillance into a Gimmick
Their new installation at the Park Avenue Armory features drones and facial-recognition technology, yet seems to have no politics at all.
Weighing Ai Weiwei’s Work Amid Butterflies and Botanical Life
Does the political content of his art translate to a botanical garden and sculpture park in Michigan?
Ai Weiwei Floats a New Project About the Refugee Crisis
Conceived in response to the current humanitarian disaster, Law of the Journey is rooted in the artist’s research while on location at refugee camps in Greece
15 Artists, Shows, and Works Censored in 2016
Here’s a look at some of this year’s acts of art censorship.
Ai Weiwei Explores the Scale of Crisis in Four Large Installations
Four Ai Weiwei shows across Manhattan explore the aesthetics of crisis and the deluge that might consume us.
From Fluxus to Selfies, Photographs that Blur the Performative and the Real
LONDON — Five figures stand cocooned in the radiating steel cables of the Brooklyn Bridge — four of them are naked and covered in painted spots, hanging out beneath a banner that reads “SELF-OBLITERATION.”
Ai Weiwei’s Photo Reenacting a Child Refugee’s Death Should Not Exist
I see this image and I wonder.