Art Review
An Exhibition Makes Absence Present
Works by Ana Mendieta, Derek Jarman, and P. Staff ask us to acknowledge loss — but also to see it as a way into altering the shape of our world.
Art Review
Works by Ana Mendieta, Derek Jarman, and P. Staff ask us to acknowledge loss — but also to see it as a way into altering the shape of our world.
Opinion
He copyrighted the letter and ended it with “for your eyes only,” as if to say, don’t even think of showing this to anybody.
Film
The show is an adaptation of Naked by the Window, the 1990 book about Mendieta's career and Carl Andre’s suspected role in her death.
News
Designed by artist Christine Egaña Navin, the items will be offered by Project Art Distribution at this weekend's NADA Flea Market.
Opinion
Helen Molesworth's true-crime sensation marginalizes the artist's life and legacy.
Art
I am often skeptical of protest art behind glass, yet I still cannot deny the pleasure of experiencing politically charged artworks in a venue making the effort.
Books
In Radical Virtuosity, Genevieve Hyacinthe brilliantly reframes Mendieta’s celebrated works, yet for a book so rooted in race, the final analysis feels only half-full.
In Brief
Recalling an incident when working as a waitress at 22, Barkin says that Andre choked her over an issue with her service, connecting that assault with Andre’s alleged murder of his wife, artist Ana Mendieta.
Art
In Otherwise Obscured, effacement, redaction, and illegibility are positioned as tactics that artists can employ to combat, highlight, or heal sociopolitical invisibility.
Art
Teens are dancing to messages from their abusive exes, continuing the legacy of artists like Ana Mendieta and Suzanne Lacy.
Art
A small yet mighty exhibition, Fragments of a Crucifixion highlights moments of mourning, as well as joyful moments of faith and collectivity that continue in the face of traumas.
Art
Dialectics of Entanglement: Do We Exist Together? revisits A.I.R.'s 1980 exhibition Dialectics of Isolation, important for its promotion of women artists of color at a time when the New York art world was painfully exclusive and discriminatory.