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Art Rx
This week, there are a lot of exciting opportunities to see critics and writers, plus openings all over the city and experimental Yiddish theater.
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Listening to the Stories of Volta
This year’s Volta NY spoke many different dialects, but most of them seemed to stem from the same language. Although there were a total of 95 galleries exhibiting, with works ranging from the very minimal to the very ornate, a large chunk of the art on view was either obliquely or transparently narr
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Low-Key Independent Art Fair Has Little Bite
The fourth edition of the Independent art fair, among the plethora of shows popping up during Armory Week, is akin to the children’s tale of The Little Engine That Could, and in the end, it did. Compared to the Armory Show, which was like a trip to Ikea (one exhibitor in fact was selling furniture),
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Less Is More at the Armory Show Modern
Let’s face it: navigating Armory Week and all its various satellites is a bitch. With so much art to see and endless booths to maneuver, it’s all very daunting. But we love it. Well, at least I love it. Spontaneity and taxis are the two things I rely on the most. Spontaneity, because one should alwa
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The Writing Is on the Wall at the Independent Art Fair
Wading through the crowded opening of the Independent Art Fair, held in the former Dia:Chelsea building with its ridiculously narrow stairway, I found myself doing more reading than gazing at art. While this was partly due to the inclusion of Printed Matter, the seminal alternative book and zine sto
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The ADAA Art Show Celebrated Its 25th Year with a Moody Affair
The ADAA Art Show marked its 25th anniversary this year, and the 2013 edition at the Park Avenue Armory was definitely a very mature, stately fair, with only the slightest of dark undertones to its otherwise unsurprising, but elegantly sleek, presentation.
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Discovering Emerging Japanese Talent at New City Art Fair
Most art fairs in New York City this week are bombastic affairs. New City Art Fair, by contrast, is not one of them. The mission of this fair is to feature original artwork by contemporary Japanese artists. To achieve this goal, Kentaro Totsuka, the director of New City, invited eleven Japanese gall
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Proust’s Way: 100 Years of “Things Past”
“Proust? No one is less dead than he is,” said Suzy Proust, Marcel’s niece. Right she was. Is. Everything about this one-room exhibition (all the one-room exhibitions at the Morgan seem grand to me, just the right size and feeling) is perfectly chosen and described.
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In the Schnabel Chapel, Part 3
As an undergraduate, I took a seminar in contemporary art issues conducted by the theater designer Robert Israel, who once mused about coming across one of Robert Rauschenberg’s 1950s-era combines in a collector’s pristine white apartment. The artwork, composed of recycled scraps of garbage, “looked
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Art Glut and How to Handle It
By Monday, the reality of the mandated reductions in government spending, otherwise known as sequestration, had begun to sink in. For its part, the New York Times announced, to no one’s surprise, “the split between American workers and the companies that employ them is widening and could worsen in t
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Old Favorites and New Surprises at Moving Image
There's a problem inherent in the basic premise of a video-art fair. On the one hand, it's refreshing to see artwork at a fair in different media than painting, works on paper, and the occasional sculpture, which are the usual standbys at fairs because they're easier for a quick sell. On the other,
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Scope New York Brings the Streets to the Fair
When I entered the doors of Scope New York, taking place in the Skylight at Moynihan Station, part of the former James A. Farley Post Office, I almost walked right into a can of spray paint. Jutting with a horse head and a skateboard from the walls in French street artist Shaka’s large-scale, three-