Art
According to Eric Doeringer, the artist-curator of I Like the Art World and the Art World Likes Me, the exhibition’s title—a nod to Joseph Beuys’s 1974 performance “I Like America and America Likes Me”—is meant to convey the “fraught relationship between emerging artists and the art-world establishm
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Scott Kiernan’s canvases want to be underestimated. Their initial impression is bland, but the longer one gazes at these pictures, the weirder and more fascinating they become. At his NURTUREart exhibition Once around the block (twice), Kiernan’s art reveals itself more slowly, doesn’t care if you o
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A solo exhibition of works by Mark Lombardi at Pierogi gallery in Williamsburg, feels very timely. Maybe I'm into the paranoia-inducing conspiracy charts because New York's just-ended art fair week, our own glimpse into the vastness of the international art world, reminded me that there are whole we
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There are only four days left to support a very unique street art project that will create a multi-faceted street art exhibition at the former Donnell Library on 53rd Street in midtown Manhattan, which is across the street from MoMA. In an era where street art and graffiti is becoming increasingly s
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Walking around the two-pier behemoth that is today's Armory Show, it's hard to imagine that this was once a scrappy upstart hotel fair. Over the course of the week, I heard various people speak nostalgically about what the Armory had been like in its early years, as if it had been some prelapsarian
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Throughout the course of NYC's art fair week, I overheard questions over what art work was being sold, and who it was being sold to. Of course, art fairs exist to sell work, and the work on display is there to be sold. But where do these works come from? This is where the secondary market comes in.
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The Fountain Art Fair was parked at Pier 66 in Chelsea, floating on the water as if at any moment it could set sail for an undisclosed location. The odd cousin in the family of New York art fair week, Fountain is a quirk DIY vision of what’s happening in contemporary art today.
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The first thing that I noticed about Moving Image, an art fair based entirely around video works, was the relative calm. Gone were the crowds, gone were the collectors running rabidly from booth to booth, gone were the chatty gallerists and curators. Moving Image is a place to look at art and experi
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If people were complaining that The Independent was a scene with its cooler-than-thou veneer of globalization and slightly aloof exhibitors and audience, than they probably hadn't seen The Dependent art fair, which was the dictionary definition of "art scene." For four hours on a Friday night, two f
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When the Verge art fair launched Verge Brooklyn, many Brooklyn galleries were peeved that the DUMBO-based event would take away from local galleries scenes. Why would they have to pay to be in an art fair in their own borough when Armory week was the only time they could get out of town collectors t
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Across the street from the Empire State Building is the Volta Art Fair, a sophisticated and civilized art fair where galleries from around the world present solo artist projects. Elizabeth Tenenbaum and Elissa Levy of InContext Studio Tours gave me a preview of Volta New York 2011. After attending s
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The Art Show has been hosted by the Art Dealers Association of America (ADAA) for the last 23 years, reigning supreme as the longest running national art fair. The ADAA consists of 175 galleries but only seventy exhibitors enrolled this year, excluding stunners like Andrea Rosen, Betty Cunningham, P