Books
A Defiant Manifesto for "Glitch Feminism"
While glitches are often cast as something to be worried about, Legacy Russell asks whether we can apply a logic of using error and mistakes as a way of opening up space.
Books
While glitches are often cast as something to be worried about, Legacy Russell asks whether we can apply a logic of using error and mistakes as a way of opening up space.
Books
The art historian Mary Garrard’s lively account of Artemisia Gentileschi is timely in its exploration of her art which was composed of anger, accusation, and even humor.
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Focusing on 50 artist-writers often overshadowed by their male contemporaries, Women in Concrete Poetry breaks from more traditional histories, much like the innovative figures featured.
Books
In Girl Pictures, the photographer presents a seductive fantasy of a world in which being a young woman is not cause for fear but a source of boundless freedom.
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Re-issued on the 125th anniversary of his birth, Synergetic Stew is a document of a magical life of heady science matched only by Fuller’s penchant for “light, wild things.”
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Saddled with student loan debt? Now might be a good time to pick up the Debt Collective’s Can’t Pay, Won’t Pay, which makes a compelling case for “economic disobedience.”
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In Wite Out Linda Norton seeks the words to envision relationships not shaped by hundreds of years of white supremacy.
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Writing a global art history demands that we give up historical thinking.
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Concise, pithy, and accessible, Susie Hodge’s The Short Story of Women Artists introduces readers to artists forgotten and obscured, many of whom are now rightly being reassessed.
Books
Darmon Richter ventured to the Chernobyl Exclusion Zone to record the remnants of one of the world’s most serious nuclear disasters.
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Ancco, who became famous for her diary-like webcomics, has published a collection of stories that ripple through domestic violence, social oppression, and rebellion.
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Set in the aftermath of a Super Bowl victory, Ben Passmore’s Sports is Hell spotlights human folly, displaying the US at its worst and most ridiculous.