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Posted inArt

Nobuo Sekine and Charles Ray and Their Sculptures Filled with Liquid

Lee Ufan’s letter to Stella underscores his ongoing critique of Western aesthetics, which began with the specific objects we associate with Minimalism. Whereas Minimalism, at least as Stella codified it, emphasizes the material presence of an object isolated from the passage of time, the artists associated with Mono-ha were interested in what happened between things, in the dynamics of their relationship as well as in change. Thus, for all the visual affinities between a Western-made object and those made by the Mono-ha artists, these connections have to do with appearance — they are morphological and, at best, superficial.