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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Craig F. Starr Gallery

Posted inArt

The Mysteries of the Universe in John Willenbecher’s Early Work

by John Yau December 16, 2021December 16, 2021

Between 1962 and ’75, Willenbecher made a substantial body of work reflecting his interest in games and the night sky, in the ancient human desire to make order out of the inexplicable.

Posted inArt

Deborah Remington’s Singular Place in Art

by John Yau May 8, 2021May 7, 2021

By employing a slow, deliberate process in which control is paramount, Remington shaped her passage in time.

Posted inArt

Sculpting With Light, Drawing With Shadow

by David Carrier February 29, 2020February 28, 2020

It’s hard to identify precedents for Christopher Wilmarth’s sculpture, which uses its banal modern materials purely abstractly.

Posted inArt

Robert Rauschenberg and the Men on the Moon

by John Yau July 13, 2019July 12, 2019

Rauschenberg was among the artists invited by NASA to attend the launch of Apollo 11, the spaceflight that landed two Americans on the moon 50 years ago this month.

Posted inArt

Perhaps Eleanore Mikus Will Not Be Under-Recognized Anymore

by John Yau February 5, 2017February 5, 2017

If we compare her with other women artists from the 1960s working in a reductive vein, Eleanore Mikus seems to have thoroughly vanished, more so than her peers, and often isn’t included in surveys or textbooks of that period.

Posted inArt

The Desire for the Unattainable: Myron Stout’s Paintings and Drawings

by John Yau January 21, 2017February 12, 2017

Myron Stout, who was born in Denton, Texas, in 1908, made an early decision to be a painter but didn’t hit his stride until the late 1940s, after he had served in World War II.

Posted inArt

Sylvia Plimack Mangold Has the Floor

by John Yau March 20, 2016March 31, 2016

Plimack Mangold’s floor and ruler paintings are smart, tough, assured, direct and, more than forty years after she did them, they remain challenging: works in which she literally and figuratively cleared a space for herself in ways that have yet to be fully recognized.

Posted inArt

Jasper Johns Refuses to Play by the Book

by John Yau November 30, 2014March 9, 2015

Currently on view in the exhibition Jasper Johns: Sculptures and Related Paintings 1957–1970 at Craig F. Starr is “Book” (1957), a work I suspect many people either don’t know about or are not likely to have seen, even in reproduction.

Posted inArt

Unfettered Simplicity: Susan Rothenberg’s Horses

by Thomas Micchelli March 8, 2014March 10, 2014

Susan Rothenberg’s painting, “Untitled” (1974), couldn’t be more basic — brushstrokes of dusty red ochre scrubbed across a canvas; the image of a galloping horse bisected by a vertical line — but you’d be hard pressed to find a more compact expression of what painting is and what it can be.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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