With the support of the Emily Hall Tremaine Foundation, Hyperallergic will award $5,000 fellowships to five curators to support ongoing research and creating accessible writing and digital exhibitions for a general audience.
Emily Hall Tremaine Journalism Fellowship for Curators
Posted inArt
New Curatorial Visions From South Asia, Tunisia, and Across the US
Online curatorial projects by Dakota Noot, Dr. Kelli Morgan, Sadaf Padder, Beya Othmani, and Angelina Lippert explore new currents in curational research.
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Coasting the Topography of South Asian Futurisms
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Sadaf Padder presents an exhibition to offer insight into her curatorial process.
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How Can a Curator Approach South Asian Futurisms?
How do I acknowledge my shortcomings while reckoning with obscured histories and the exclusion of subaltern narratives in the fine art landscape? A working checklist for curators.
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In Search of Inclusive South Asian Futurisms
We have been dangerously siloed for far too long by colonial constructs of race, nation, and time that separate, divide, and deny us our very being.
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In the Studio With Amos Kennedy
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Angelina Lippert presents an exhibition to offer insight into her curatorial process.
Posted inArt
Art, Whiteness, and Empire
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Dr. Kelli Morgan presents an exhibition to offer insight into her curatorial process.
Posted inArt
Blowing Holes in Traditional American Portraiture
What different forms of knowledge are produced when Black, Indigenous, Asian, and Latinx histories are prioritized in a visual presentation of American portraiture?
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How Can Museums Truly Shake Off Their Colonial Legacy?
Representation alone will not end inequity in art museums.
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Fela Kefi Leroux, Embracing Blackness at the First World Festival of Black Arts
Beya Othmani presents an exhibition on artist Fela Kefi Leroux’s participation in the 1966 festival in Dakar and offers insight into her curatorial process.
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How North Africans Negotiated Blackness at the Dakar 1966 First Black Arts Festival
Hundreds of artists, writers, and intellectuals convened at the First World Festival of Black Arts in apparent harmony, but it was also a stage for contradictions and paradoxes to be unpacked.
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Amos Paul Kennedy Jr. and the Democracy of Printing
An excitement and urgency is present in each of his works, resulting in posters that are equally informative and visually delightful.
