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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Posted inArt

When a Contemporary Art Gallery Exhibits a Renaissance Artist

by Olivia McEwan May 15, 2022May 13, 2022

Ikon Gallery’s retrospective asserts that Carlo Crivelli’s self-reflexiveness and questioning the nature of the image made him anticipate the “contemporary.”

Posted inArt

The Monstrous Beauty of Louise Bourgeois’s Late Textiles

by Anna Souter May 9, 2022May 9, 2022

The Woven Child at London’s Hayward Gallery is a moving examination of Bourgeois’s fabric sculptures, drawing out themes of motherhood, gender, identity, and trauma.

Posted inArt

Thao Nguyen Phan’s Multilayered Histories of the Mekong Delta 

by Tara Okeke May 1, 2022April 29, 2022

In a new exhibition, the artist defies the sequential nature of history, finding various ways to chronicle the many layers of devastation experienced throughout the Mekong Delta.

Posted inArt

A Century of the Artist’s Studio Is a Peek Into the Artist’s Mind

by Michael Glover April 7, 2022April 8, 2022

The studio is a place of self-mirroring, self-haunting, a space where the artist plays out the day-to-day reality of the fantasy of being an artist.

Posted inArt

Delicately Balancing Psychoanalysis and Art History in a Van Gogh Exhibition

by Olivia McEwan April 2, 2022April 4, 2022

Popular perceptions of van Gogh are often preoccupied with heart-wrenching accounts of mental illness, but Van Gogh: Self Portraits avoids speculative psychoanalytic readings of one tortured face after another.

Posted inArt

Tate’s Survey of Caribbean-British Art Centers Britain

by Aurella Yussuf March 30, 2022March 30, 2022

By the end of Life Between Islands, the island that is centered in this exhibition is Britain, and “the Caribbean” remains a loose, ill-defined, hazy backdrop

Posted inArt

Why Is a Virtual Veronese Artwork at a Physical Museum?

by Olivia McEwan March 28, 2022March 28, 2022

To play devil’s advocate, you could argue that eventually technology will be so good that everyone will have VR, and there is no need to travel to the National Gallery at all to see art.

Posted inArt

A Hogarth Survey Has Good Intentions but Misses the Mark

by Olivia McEwan March 17, 2022March 17, 2022

Why assemble the most significant grouping of Hogarths from far and wide without indicating why calling out the faults in historical artworks is important to our understanding of our world today?

Posted inArt

A Lesson in Bad Manners From an Art Provocateur

by Michael Glover March 16, 2022March 16, 2022

Bad Manners is thoroughly and unmistakably an endeavor of one-time art world provocateur Jake Chapman.

Posted inArt

In the Work of Ai Weiwei, Biography Supersedes Art

by Michael Glover March 2, 2022March 2, 2022

Perhaps Ai is untouchable. If that is the case, where were we left when judging his new art?

Posted inArt

The Beastliness of Bacon

by Michael Glover February 10, 2022February 10, 2022

Bacon was obsessed by animals lifelong. Rawness. Beastliness. Fearsomeness. The way they lived. The way they died. The way they preyed upon each other.

Posted inArt

A Painter Takes a Collaborative Approach to the Portrait

by Anna Souter February 9, 2022February 10, 2022

Gisela McDaniel captures the voices and memories of her sitters and offers them the opportunity to narrate their own histories.

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