The exhibition Dear Earth elucidates a broad range of issues around climate change, but stops disappointingly short of a radical call to action.
Anna Souter
Anna Souter is an independent art writer and editor based in London. She is particularly interested in sculpture, women's art, and the environment.
Posted inArt
Carolina Caycedo’s Spiritual Fieldwork
Land of Friends at BALTIC campaigns for the rights of watershed-dwelling peoples and rivers.
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The Pleasures and Pain of Carolee Schneemann’s Body Politics
Schneemann’s art actions laid bare the continuity between the female body, feminist writing, and sociopolitical acts of protest.
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The Politics of the Air We Breathe
Inspired by Charles Babbage’s idea of air as “atmospheric memory,” In the Air considers air as a common space that belongs to and affects the whole of humanity.
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Dreaming With Homer on an Idyllic French Island
Inspired by the journey made by the epic hero Homer’s Odyssey, a show at Villa Carmignac combines myth with contemporary issues.
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The Hidden Labor of Exhibitions
Condorelli considers how our modes of seeing and reproducing images and environments might develop, questioning how we see — and how we might see differently.
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The British Museum Takes the Feminism Out of Feminine Power
The realities of women’s lives are conspicuously absent from the British Museum’s Feminine Power, a show about the feminine.
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Celebrating Sāmoa’s Third Gender Through Radical Camp
With Paradise Camp, artist Yuki Kihara attempts to challenge and undermine colonial images of Sāmoa through a radical camp aesthetic.
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Tanoa Sasraku’s Enigmatic “Earth Photos”
In finding new ways to read and map landscapes, Tanoa Sasraku disrupts our expectations of the rural and opens up latent memories, mythologies, and energies.
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In Venice, a Show Draws Connections Between Colonialism and Marine Ecology
The Soul Expanding Ocean at TBA21–Academy Ocean Space in Venice’s Chiesa di San Lorenzo brings together two artists with different but complementary ways of engaging with oceanic histories and ecologies.
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The Monstrous Beauty of Louise Bourgeois’s Late Textiles
The Woven Child at London’s Hayward Gallery is a moving examination of Bourgeois’s fabric sculptures, drawing out themes of motherhood, gender, identity, and trauma.
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Venice’s Sámi Pavilion Is a Coup for Indigenous Artists
Far from empty wildernesses, the ancestral lands of the Sámi people in the European Arctic are ecologically diverse sites of culture, care, and collective endeavor.
