Film Review
The Sacrifices of the Single-Mother Artist
Artists in Residence tells the story of Lois Dodd, Eleanor Magid, and Louise Kruger as they forged lives as working artists and single mothers in midcentury New York.
Film Review
Artists in Residence tells the story of Lois Dodd, Eleanor Magid, and Louise Kruger as they forged lives as working artists and single mothers in midcentury New York.
Interview
The co-directors of “It’s Just a Fucking Opening,” a new short film, spoke to Hyperallergic about toxic sociality and the line between criticism and gossip in the art world.
Feature
Pistachio Wars argues that billionaires Lynda and Stewart Resnick are harming California’s environment as they artwash their damage.
Feature
Pushing back against rigid boundaries between erotic film and art, the annual festival creates an inclusive, sex-positive space for exploring human desire.
Film Review
The new film Auction layers an awful lot of melodramatic meat on the skeleton of the facts to create its vision of the art world.
Film Review
Windward pulls us into an almost prelapsarian vision of childhood existence on Newfoundland’s Fogo Island: no phones, no screens, no sense of impending climate crisis.
Film Review
Gianfranco Rosi beautifully captures the unease of life in Naples, near the legendary volcano, and of modern times in his new film.
Film Review
Blue-collar art thefts were the inspiration for Kelly Reichardt’s The Mastermind, which plumbs the conservative turn of the 1970s United States.
Feature
From feature films to experimental shorts, several highlights of this year’s lineup explore what it takes to live and work as an artist.
News
The TV series about the graffiti and pop art icon and activist will be based on a biography of the artist published last year.
News
“We as artists must decide whether our work will be used to mask violence or to challenge it,” said Sky Hopinka, one of the signatories along with Nan Goldin, Brian Eno, and others.
Film Review
A new documentary about Leni Riefenstahl shows that aesthetics and politics are inextricably linked, and that no image is innocent when wielded by the state.