The 1864 landscape was found in a basement at the University of Pennsylvania Dental School.
After an eight-year legal battle, the company has finally reached an agreement with Frédéric Durand-Baïssas. The social media giant will make an unspecified donation to a French street art association, Durand’s lawyer said.
Experts are now “99 percent” certain that the genitalia featured in Courbet’s painting belongs to the ballet dancer Constance Quéniaux.
New York University’s Grey Gallery takes on the concept of the sublime in contemporary landscape art.
Frédéric Durand-Baïssas finally had his day in court with Facebook more than six years after his account was deleted.
It’s been more than four years since French teacher Frédéric Durand-Baïssas, after posting a link to a documentary about Gustave Courbet’s “L’Origine du Monde” (1866) on Facebook, returned to the social network to find the post removed and his profile suspended.
A twentysomething woman sits down in front of Gustave Courbet’s “Origin of the World” (1866), pulls up her dress, splays her legs, and shows her vulva, clitoris, and possibly part of her vagina to the visitors in the gallery.
CHICAGO — The selfie is a smartphone-produced version of the self-portrait, which has been a staple of art and photography history since artists first began seeing examining their own images in the mirror.
Compared to other portraits of 19th century ladies, Édouard Manet’s painting of poet Nina de Callias was scandalously exotic, with her golden bangles, bolero jacket, Algerian shirt, and flourish of a feather in her curled hair, not to mention her open, sensual pose. A little scruffy dog rests its head on her flurry of skirts from which emerges an exposed ankle, and a tumult of colorful fans decorate the wall behind her. While the shock has totally subsided for contemporary audiences, the portrait drove her estranged husband to demand Manet not show it anywhere. Fashion and the identities it offered or constrained in the mid-1860s to mid-1880s (centering on Paris) is an undercurrent in the works by the top Impressionists, along with examples of period clothing caged in glass display boxes, in Impressionism, Fashion, and Modernity, opening February 26 at the Metropolitan Museum of Art.
Last week, Hyperallergic reported on the alleged discovery of the upper half of Gustave Courbet’s x-rated “The Origin of the World” in Paris. Experts are now casting doubt on the argument that the portrait fragment belongs to “Origin,” or even that it was actually painted by Courbet. With help from an American Courbet expert, we delved a little deeper into the story behind the face of “The Origin of the World.”
Gustave Courbet’s infamous “The Origins of the World,” an intimate portrait of a female model’s nether regions, has been shocking pretty much since it was painted in 1866. Even more shocking, though, is the fact that the painting has an upper half, which has been discovered by an amateur collector among yard-sale detritus.
Adele Enersen photographs her dozing daughter Mila in a variety of poses and scenes, often drawn from art history. The visual similarities between her homemade work and her sources is pretty cool, as is its relationship to art history. What other options for inspiration could Enersen pursue?