1pm: The press preview for Frieze New York 2016 on Randall’s Island begins! Or so they say. I am power walking out the door of my office in Williamsburg.
The idea of an abrupt transition between the abstract work and the late figuration has become so ingrained in the narrative of Guston’s career that a view suggesting a more gradual evolution might meet with resistance.
There are numerous points of beguilement throughout the show, beginning in the very first room off the street.
The experience of De Bruyckere’s work is not unlike confronting monumental works of Minimalism, such as Richard Serra’s leaning or torqued sculptures, which create a sense of unease and endangerment within the gallery space.
Berlinde De Bruyckere’s work is often unsettling.
LOS ANGELES — Hauser Wirth & Schimmel, the local outpost of mega-gallery Hauser & Wirth, will open its massive hybrid art space to the public on Sunday.
2015 was the Year of the Whitney.
At first sight, Mark Bradford’s paintings attract viewers with their bright colors and often grand scale.
NISHINOMIYA, Japan — Looking back at modernism’s multifaceted history — all those styles, manifesto-driven movements and “-isms,” which forever changed how artists, critics and viewers would look at and think about art — one is reminded that among its fundamental tenets was a call to search out the new, strive for originality and dare to bust traditions.
Three years ago I wrote a review titled “Is Mark Bradford the Best Painter in America?” It wasn’t an altogether serious question, but it wasn’t facetious either.
On Friday Pace Gallery revealed plans to build an eight-story, 60,000-square-foot building where the largest of its spaces on West 25th Street in Chelsea currently sits.
The Art Newspaper published the results of research that found that artists from five of the world’s biggest galleries accounted for nearly a third of solo museum shows in the US between 2007 and 2013.