Features
Larry Bell’s Art Through the Looking Glass
The pioneering Light and Space artist spoke with Hyperallergic ahead of the unveiling his largest public art project to date.
Features
The pioneering Light and Space artist spoke with Hyperallergic ahead of the unveiling his largest public art project to date.
Features
The artist talks to Hyperallergic about being raised by strong Black women, creating with abandon, and the full-circle significance of receiving the David C. Driskell Prize.
Features
“How people are perceiving me is not my business,” the performance artist and model told Hyperallergic. “What I can do to make the world a better place is my business.”
Features
Alicia Vera documents and processes her mother’s disease diagnosis in a new book.
Features
In an interview with Hyperallergic, Satch Hoyt shared his process of "un-muting" African musical objects long relegated to storage.
Features
Stanley Greenberg has spent decades answering the question of how water arrives in our taps and building interest in this vast and impressive system.
Features
In the aftermath of the school’s agreement to relinquish the daguerreotypes of her enslaved ancestors, Lanier spoke to Hyperallergic about her protracted battle for justice and a new home for the photographs.
Features
Marilou Schultz, a math teacher and fourth-generation weaver, pushes the boundaries of the art form by combining technological aesthetics and Diné techniques.
Interview
“I want to call attention to how you look,” the artist known for his multi-channel film installations says of I Dream a World, his first US museum survey to date.
Interview
The Lebanese photojournalist who famously portrayed a Palestinian militiaman holding a kitten discusses her transition into photo editing and the image that changed her life.
Interview
On the occasion of a new documentary, the artist talks with Hyperallergic about the legacy of Maus, comics techniques, Gaza, collaboration, and more.
Interview
“He brings in that random, specific, accidental character of the world, and then he makes it feel like there’s some kind of order to it,” says Friedrich expert Joseph Leo Koerner.