Interview - Hyperallergic (Page 82)

Interview

Standing on the Edge of Space: Painting as Noun and Verb

Oil on canvas. Evolving motifs. Line embedded in color. Compositions suspended between chaos and stability.

Interview

Making Documentaries More Real

In an email, a friend of mine mentioned a show taking place at the Kitchen next week: The Love Song of R. Buckminster Fuller, created by the filmmaker Sam Green, with live music by indie rockers Yo La Tengo. The subject matter seemed like solid geeky/arty fare, but what stood out to me in the event

Interview

Beer with a Painter: Jane Dickson

Jane Dickson is best known for her nocturnal cityscapes of the old Times Square — peep shows and porn parlors — but she has also mined subjects such as Las Vegas, Coney Island, American highways, demolition derbies, and suburban homes. She often paints on alternative supports like carpets, vinyl, sa

Interview

“Revealing Soul” — Painting’s Cosmological Constant

What is the kernel of art? Does it lie in the form or subject, or in the shifting territory between the two? When do you manipulate the medium, and when do you follow its lead? Where are the parameters, if any, delimiting what art can contain? A painter like Ben La Rocco doesn’t ask these questions;

Interview

Fleeting Youth, Captured in YouTube Videos and Modeling Photos

Over the past few years, 319 Scholes gallery in Brooklyn has played host to a slew of excellent group shows collecting emerging artists working with the internet and digital technology. The space doesn’t usually host single projects — but their next exhibition will change that. Curated by art critic

Interview

Speaking in Tongues: Art in Moods, Tenses, and Translations

It’s safe to say that Twilit Ensembles, Paul D’Agostino’s solo show at Pocket Utopia, is one of the more disorienting, even vertiginous exhibitions around. There are pairs of process-driven, not-quite-identical abstract paintings; mixed-media collages that evoke the Art informel and Affichiste strai

Interview

The Portrait of a Family in Human Ash and Meth

A big part of Zefrey Throwell's current exhibition at Gasser & Grunert Gallery in Manhattan's Chelsea neighborhood is the story of a family split apart by drug addiction, then brought closer by a memorial for a dead father. It is also a story of overcoming hardship brought on by Hurricane Sandy, not

Interview

What It's Like in Heaven? Christo's New Ethereal German Installation

Recently installed in the Gasometer in Germany, Christo's "Big Air Package" is an ethereal inflatable sculpture. Longtime collaborate and photographer Wolfgang Volz conveyed the experience of being inside: "It is very difficult to describe. I am not a religious person, but should I ever make it to h

Interview

Rendering Politics in Cement and Lace

A bit more than a year ago, Naomi Safran-Hon opened her studio to the public as part of the Brooklyn Museum’s GO community-curated project and was worried that no one would show up. The 29-year old Safran-Hon was one of the 1,708 artists who participated, and in the end, she was chosen as one of the

Interview

Beer with a Painter: Jesse McCloskey

I’ve known Jesse McCloskey for years, but his work and words are always surprising me. They get to the heart of the matter quickly. In one of the early days after I had my first child, I wanted nothing more than to go out and see some shows in Chelsea. It still makes me laugh that this childless dud

Interview

Graphic Design as Political Practice: A Conversation With Metahaven [Part 2]

Metahaven is a graphic design studio based in Amsterdam that uses their work with identity and branding to engage political and social phenomena. The first part of our interview ran yesterday.

Interview

Graphic Design as Political Practice: A Conversation With Metahaven [Part 1]

Metahaven is an Amsterdam-based design studio made up of its two members and founders, Vinca Kruk and Daniel van der Velden. Yet to describe them simply as a design studio seems misleading. The pair uses graphic design, identity branding, and product development as weapons, harnessing the power of t