Art
Kerry James Marshall and the Politics of Visibility
The retrospective of the work of Kerry James Marshall demonstrates a deep knowledge of blackness and a desire to expand the world of art with it.
Kerry James Marshall
Art
The Triumph of the Chickens
Like Ralph Ellison, who did not think of the Invisible Man as a protest novel, Kerry James Marshall is interested in the nuances of invisibility, in how much goes unseen, and the many different ways willful blindness manifests itself.
Art
At the Montreal Biennial, Lessons in How to Look
Across the city, many works by the 55 artists participating in the 2016 Biennale de Montréal deal with the possibilities, limitations, and consequences of spectacle and spectatorship.
Art
The Sly Excess of the 2016 Montreal Biennial
The emblem of the 2016 Biennale de Montréal is a Lucas Cranach the Elder portrait of an alleged witch and its title comes from a Jean Genet play about an upscale brothel.
Art
What Abstraction Can Teach Us About Race and the Color Black
Blackness in Abstraction is one of the best opportunities in years to face the riddle of the color black and the phenomenon of blackening.
Art
Can Abstraction Help Us Understand the Value of Black Lives?
ST. LOUIS — Several months ago, I made the commitment to be away from New York City, my home and native land, for the duration of this summer.
Art
How Kerry James Marshall Rewrites Art History
CHICAGO — When he studied art history in the 1970s in Los Angeles, Kerry James Marshall was struck by the absence of black artists in the "canon."
Art
Paul D'Amato Documents America, or Chicago's West Side
CHICAGO — Paul D'Amato’s large-scale photographs in his exhibition We Shall at the DePaul Art Museum offer a glimpse into the lives of ordinary people and urban landscapes on Chicago's West Side.
Art
What Is Chicago Style?
CHICAGO — Is Chicago an artistic center on the same level as New York, London or LA? Is there an identifiable “Chicago school," in the same way as the school of Paris or the post-war art movements in Manhattan? Does Chicago produce “famous” artists and artists worthy of greater fame?
Opinion
Required Reading
This week on Required Reading … William Powhida has devised a new power axis of art world affirmation … New York Observer explains the thing called the "professional collector" … at Idiom they ask an important question "Can an art experience be authentic even if the status of the work of art remains