But a museum in Harvard is still named after a member of the disgraced family, notorious for its role in the opioid crisis.
Parker’s stories bring so many of her works alive, give them meaning, and make us warm to her and to them. Is that a problem?
So closely do Disney’s animators assimilate the sensibility of French design that on occasion their source material appears almost more Disney than Disney itself.
At first, seeing exhibitions incorporating home furnishings worried me, thinking they turn galleries into shops for luxury goods. But this concern is misguided.
In Space Popular’s presentation at the Sir John Soane’s Museum the VR content does not complement the physical, but widens the gulf between art history and contemporary art making.
The interplay between bodies and emotions in Goring’s work, and their potential to be transformative, reveals the politics that pump through the artist’s ever-exposed heart.
Can two paintings an entire exhibition make? Yes. Especially when it is a Spaniard called Pablo Picasso squaring up to a Frenchman called Jean Auguste Dominique Ingres.
The Manchester-based artist uses techniques from the Northern Renaissance in an attempt to investigate our present-day celebrity worship.
The realities of women’s lives are conspicuously absent from the British Museum’s Feminine Power, a show about the feminine.
Whether in a 17th-century mansion, an imagined Georgian bedroom, or a contemporary loft, the unconscious experience remains unadulterated.
The exhibition Reframed: The Woman in the Window explores the acts of looking and being looked at, framing, and art making.
The settlement comes after Tate prevented an artist who exposed sexual harassment by one of its largest donors from co-curating an exhibition.