Meyer has turned Pollock’s all-over painting on its head.
Melissa Meyer
Posted inArt
Painting Isn’t Dead! It’s Just Slow
Quicktime takes its cue from Raphael Rubinstein’s “Provisional Painting,” published in the May 2009 issue of Art in America. In the essay, Rubinstein discusses a handful of artists who seem to “turn away from ‘strong’ painting” in favor of works “that look casual, dashed-off, tentative, unfinished or self-cancelling.”
Posted inArt
Conversations Can Be a Way of Moving Forward: Melissa Meyer’s Category-Resistant Abstractions
Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
Posted inArt
A Magazine Scans the Connective Tissue Between Medicine and Art
Esopus 22: Medicine feels like a giant patient file for the cross between the medical and visual arts.
Posted inArt
Weekend Studio Visit: Melissa Meyer in Midtown Manhattan, New York
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.
