Many had protested Reyes’s appointment, calling for the project to involve Indigenous artists and incorporate their proposals.
“[We] find it inadmissible that Pedro Reyes, a male artist who does not identify as Indigenous, was selected to represent ‘the Indigenous woman,'” says the group.
Ahead of a massive march for International Women’s Day, the palace was covered with names and messages like “Trans women are part of my struggle.”
A drive-through exhibition in a commercial parking lot in Mexico City brings together over 30 works by more than 20 contemporary artists.
Employees of Mexico’s public museums and theaters are striking to protest lack of wages, and remixing famous portraits to denounce the ongoing exploitation of cultural labor.
In protest of femicide, the artists painted over portraits of all-male historical figures hanging in the National Human Rights Commission.
The moving results will soon be on view in a virtual gallery by California’s Social and Public Art Resource Center.
The names, painted on International Women’s Day, were scrubbed away around 24 hours later.
The glass work shattered to pieces “as though it had heard my commentary and sensed what I thought about it,” according to Mexican art critic Avelina Lésper.
Even with art on view from dozens of countries, I found myself most drawn to work from local Mexican artists and spaces.
A group of around 40 employees quietly entered the Palace of Fine Arts during an event. They silently held up their placards as many in the audience cheered and yelled “contrato digno” — a call for “dignified contracts.”
One anonymous employee says it worries him that he has not been paid for six months, despite continuing to do his job and sometimes working late nights.