From art fairs to alternative spaces that may not be on your radar, here’s a run-down of what to see (and eat and sip) in Miami. No NFTs, we promise.
MIAMI BEACH — In a cavernous tent right on the sands of Miami Beach, Untitled Art Fair is opening this Wednesday with a sprawling group of international galleries.
Art Wynwood is back! Following its widely acclaimed inaugural edition, the Art Wynwood art fair will return for its second year during Presidents’ Day Weekend (February 14–18, 2013) in the Wynwood neighborhood or Miami. Art Wynwood will take place in the spacious 100,000-square-foot Art Miami Pavilion, which attracted more than 60,000 attendees during the 2012 edition of Art Miami.
The Nada Art Fair has sent a letter to the galleries included in its 2012 Miami fair, threatening that those who have also signed up to participate in the new, competing Untitled Miami fair will not be asked to return to Nada next year, Christian Viveros-Faune, writing at The Art Newspaper, reports.
Does Miami Beach need another art fair? We’re not sure, but we have to admit, this one sounds good: The Untitled art fair is launching its inaugural edition down in Miami this winter (December 5–9), and it will be curated.
So the whole point of Miami Art Basel is the parties. Wait, no it’s not, it’s the ton-o-fairs available to man or beast. Before I even arrived I was totally confused.
Walking or driving around Miami’s Wynwood neighborhood, you’re immediately struck by the great volume of art all around, most noticeably on the wall. Some of the work is illegal but others are sanctioned through the efforts of Primary Flight, an organization which descibes itself as “Miami’s original open air museum and street level mural installation that takes place annually throughout the Wynwood Arts District and the Miami Design District.”
One gallerist told me that one “host” of a Primary Flight mural from last year loves his so much he was talking about graffiti coating it to ensure it longevity. What was remarkable about these murals, many of which were from last year, is that they look pretty much as good as the first day they were painted. Why?
Brooklyn-based artist Jacob Krupnick had the opportunity to spend the day after the Art Basel Miami Beach fair closed inside the convention center dodging forklifts and documenting the breakdown of the fair. “It’s that rare moment when lots of valuables are at risk and in motion,” he told me over email. “The amazing piles of crates and packing materials make it hard to pin down what, exactly, an art piece is. (One forklift operator pointed at a stack of shipping containers he’d arranged, and said without sarcasm: ‘This is my art.’)” [PHOTO SERIES]
We’re collecting reactions to last week’s #Rank event at the Seven Art Fair. Did you attend? Lead an event? Stumble upon it? Watch the livestream or follow it via Twitter? Which ever way you noticed it or tuned in, I want you to share your comments or story for a post later this week as we reflect on what it was all about.
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Sure they love the money, but not all Miamians are kumbaya about the alien spacecraft that is the art fairs and its annual landing in South Beach. The Miami New Times has a hilarious list of why they are glad the fairs are over.
SCOPE is the art fair that many people like to disparage but this year’s installment was quite good and worth a trip.
Housed in a large tent near the Art Miami and Red Dot art fairs and, as always, attached to Art Asia, the greater prominence ensured more foot traffic than last year (two gallerists told me sales and traffic were better this year) and the lofty space made it much more conducive to looking at art.
Tired of all the chatter about Nada being the next big thing, I decided to see if this year’s display would be everything the PR and press promised it would be.
Honestly, it was. Even if the solo artist booths in Richelieu hall were generally a little dull and pedantic, the Napoleon hall was filled with a diverse range of work from galleries that obviously loved what they do.
I found the painting at Nada particularly strong and it was nice to see a love of color in so many that ranged from large-ish-scale abstractions to small intimate pieces with rich surfaces. The tread for most of these paintings is that they tended to be done in a gestural mode of representation veering towards the abstract, but I can live with that.