In a group show, women artists look at the physical experience of the pause — of being in places where time and memory loosen their grip, making way for what’s next.
Nebraska
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I don’t know you like that: The Bodywork of Hospitality
Now on view at Bemis Center for Contemporary Arts in Omaha, Nebraska, this group exhibition features work by Heather Dewey-Hagborg, Stephanie Dinkins, Rodney McMillian, and more.
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Minimalist Art that Speaks for the Birds
With their exhibition, Look, it’s daybreak, dear, time to sing, Richard Ibghy and Marilou Lemmens investigate the complex, cross-species relationship between birds and humans.
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Learning Omaha: The Impossibility of Place (Part 4)
I’m home in Brooklyn now — I’ve been back for about three weeks. As the Department of Local Affairs starts up in Bed-Stuy, where I’m the artist in residence for the Laundromat Project, I’ve been thinking about different ways to frame and understand my summer.
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Learning Omaha: Social Practice in Action (Part 3)
OMAHA — I walked from Nebraska to Iowa this morning, over the Bob Kerrey Pedestrian Bridge.
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Learning Omaha: Through Teenage Eyes (Part 2)
OMAHA — Both teaching and social practice ask a leader (artist, teacher, organizer) to codify and articulate a set of steps that are then acted out by a group. There’s a place for uncertainty, but it should be strategically applied: by choice, not default.
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Learning Omaha: A City by Way of Art (Part 1)
OMAHA — Fourth of July, 2014. I am in America’s heartland and trying not to get romantic about it.
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Mail Art Bulletin: Mail That Travels
Editor’s note: Vermin.me is a worldwide sculptural installation initiated by Jamie Burmeister. The Nebraska-bsed artist mailed us a box of three clay figures and we asked Janelle Grace, the London-based managing editor of Hyperallergic LABS, to take one of the figures on a trip.
