Opinion
Black Women Artists Bear Witness in Red
First you see red. Red halts the traffic. An undulant corpus of red women crosses the Bowery and flows toward the New Museum, breaks into an arc and then a circle
Opinion
First you see red. Red halts the traffic. An undulant corpus of red women crosses the Bowery and flows toward the New Museum, breaks into an arc and then a circle
Art
One of the fascinating things about The Keeper, organized by Massimiliano Gioni, with Margot Norton, Natalie Bell, and Helga Christoffersen for the New Museum, is the sheer number of distinct collections they managed to include in a space that is not particularly hospitable to art.
Art
Partners (The Teddy Bear Project) is the centerpiece – one might say the heart of — The Keeper, organized by Massimiliano Gioni, with Margot Norton, and Natalie Bell and Helga Christoffersen for the New Museum.
Art
One of the interesting things about Hilma af Klint (1862–1944) is that neither she nor her work can be written into the early history of abstract art.
Art
Here we are, it’s June — exam time. A prompt from the art history final: “Discuss an example of a ‘history painting’ that depicted current events. What would ‘history painting’ look like in the present?”
Art
One thing that is immediately apparent in Al-Ugh-Ories, Nicole Eisenman's show at the New Museum, is her streak of resistance.
Art
A rock-climbing wall is covered with penises at the New Museum.
Art
At once compassionate and angry, empathetic and satirical, tender and tough, Nicole Eisenman is a storyteller, portraitist, social chronicler, allegorist, fantasist, utopian dreamer and history painter, to name just a handful of her many artistic identities.
News
Artist advocacy group Working Artists and the Greater Economy (W.A.G.E.) is calling for the New Museum to receive certification to ensure all its artists earn fair pay as the building plans for expansion, funded by an ongoing $80 million capital campaign.
Art
“THE FUTURE IS NOW,” reads the header from the online bill for Versions: The Creative Landscape of Virtual Reality, a conference held earlier this month at the New Museum, co-presented by NEW INC and Kill Screen.
Art
The lingering trauma of repression and the heady, disconcerting repercussions of freedom are tendrils that wend their way throughout Sala’s refined, giddy, somber body of work.
Art
2015 was the Year of the Whitney.