Opinion
Getting Up Close and Personal with the Brazilian Protests
For the past year, a photography collective in São Paulo, Brazil, has been creating short, troubling, and cinematic videos of the public protests that first swept the country in 2013.
Opinion
For the past year, a photography collective in São Paulo, Brazil, has been creating short, troubling, and cinematic videos of the public protests that first swept the country in 2013.
Opinion
This week, why contemporary art museums are vital, the drawbacks of internet visibility, smells of the Byzantine Empire, working in the Domino Sugar Refinery before Kara Walker, all the Vermeers in the world, and more.
Opinion
On Wednesday, Hyperallergic’s Jillian Steinhauer brought the news of Marina Abramović’s latest endeavor, a video collaboration with Adidas reenacting the artist’s performance piece, “Work/Relation,” from 1978.
Opinion
After yesterday's Renaissance GIFs post, which featured the work of James Kerr, our readers alerted us to two other curious projects that remix Old Master paintings.
Opinion
Like any proper organization that produces large quantities of writing, the CIA, it turns out, has a style manual. It is an absurdly thorough, mundane yet fascinating look at the politics of language.
Opinion
First, there was the dance of death with Jay Z. Next was the confusing collaboration with Lady Gaga. Now, the grandmother of performance art has moved on to bigger and better brands things. Yes, for reasons unbeknownst to just about everyone, Marina Abramović has teamed up with Adidas to make a comm
Opinion
This week, letting art orgs die, Marina has a headache, criticism of Gehry's plans in Philly, LGBTQ issues at Manifesta 10, NYC's shadow transit system, copyrighting scents, and more.
Opinion
Has forging Pollocks become the latest in copycat crimes? This week Claire Voon brought to Hyperallergic readers the story of New York painter John Re, who was charged with selling nearly two million dollars’ worth of fake Jackson Pollocks since 2005.
Opinion
In recent years, homeless people have been put to an impressively creative, and deeply problematic, range of uses: as wifi hot spots, as subjects for police training, as publicly minded art, and now, a new one — as typography.
Opinion
In recent years, homeless people have been put to an impressively creative, and deeply problematic, range of uses: as wifi hot spots, as subjects for police training, as publicly minded art, and now, a new one — as typography.
Opinion
This week, Koons reviews, Facebook's emotional manipulation, artwashing, Native American map of North America, Prince's meme-inspired song, and more.
Opinion
The Supreme Court has ruled 9-0 that your cell shouldn't land you in a cell.