Art
Tomashi Jackson Rediscovers Long Island’s Beleaguered Past
Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
Art
Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
Art
The summer hues of coastal Massachusetts deeply influenced Frankenthaler; its landscapes and seashores would become her muses for more than a decade.
Art
Sonnier explored interactive video and sound work early on, and has regularly produced complex public artworks in neon, but he is just as conversant in the humble and handmade.
Art
Hyperallergic staffers pick their favorite destinations within three hours of the city.
Art
Digging deeply into his own psyche, Graham was able to cast off the pastiche of styles that had been crowding his mind’s eye, and follow his own peculiar path.
Art
WATER MILL, NY — On the same day the Apollo 11 Lunar Module touched down on the Moon, an art collective in Japan was rowing on a giant white arrow down the rivers between Kyoto and Osaka.
Art
WATER MILL, NY — On the same day the Apollo 11 Lunar Module touched down on the Moon, an art collective in Japan was rowing on a giant white arrow down the rivers between Kyoto and Osaka.
Art
SAG HARBOR, NY — Shortly after the 45-foot-long, angular vessel docked at Long Wharf in Sag Harbor, a mallard settled into a planter affixed to the bow and laid six eggs.
Art
Alexis Rockman is probably known best for his large-scale, vividly colored paintings that encapsulate the threatened state of the natural world, often integrating futuristic imagery.
Art
There are hurdles to cross before getting to the rewards of Alan Shields: In Motion, in its last week at the Parrish Art Museum, and even then some may be eluded; those found, however, are sweet and sustaining.
Art
Last Saturday, a diverse group of art enthusiasts, collectors, gallerists, art advisors, museum professionals, and artists joined Hyperallergic for a day trip to the Hamptons.
Art
Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, which was organized by Klaus Ottmann and Dorothy Kosinki for The Phillips Collection, Washington DC. (February 9–May 23, 2013) and is currently at the Parrish Art Museum, Watermill, New York (July 21–October 27, 2013), is — for many reasons —