Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
Parrish Art Museum
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How Helen Frankenthaler’s Coastal Escapes Shaped Her Paintings
The summer hues of coastal Massachusetts deeply influenced Frankenthaler; its landscapes and seashores would become her muses for more than a decade.
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Art Between Form and Anti-Form
Sonnier explored interactive video and sound work early on, and has regularly produced complex public artworks in neon, but he is just as conversant in the humble and handmade.
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9 Art-Filled Summer Day Trips from New York
Hyperallergic staffers pick their favorite destinations within three hours of the city.
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John D. Graham and “Another Way of Making Modern Art”
Digging deeply into his own psyche, Graham was able to cast off the pastiche of styles that had been crowding his mind’s eye, and follow his own peculiar path.
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Navigating the Recent Wave of Renegade Seafaring in Art
WATER MILL, NY — On the same day the Apollo 11 Lunar Module touched down on the Moon, an art collective in Japan was rowing on a giant white arrow down the rivers between Kyoto and Osaka.
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A Houseboat for Artistic Eco-experimentation Docks Among Yachts
SAG HARBOR, NY — Shortly after the 45-foot-long, angular vessel docked at Long Wharf in Sag Harbor, a mallard settled into a planter affixed to the bow and laid six eggs.
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Alexis Rockman Captures Long Island’s Flora and Fauna in Dirty Field Drawings
Alexis Rockman is probably known best for his large-scale, vividly colored paintings that encapsulate the threatened state of the natural world, often integrating futuristic imagery.
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The Embrace of a Tie-Dyed Utopia
There are hurdles to cross before getting to the rewards of Alan Shields: In Motion, in its last week at the Parrish Art Museum, and even then some may be eluded; those found, however, are sweet and sustaining.
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Hyperallergic Heads to Art Southampton, Parrish Art Museum
Last Saturday, a diverse group of art enthusiasts, collectors, gallerists, art advisors, museum professionals, and artists joined Hyperallergic for a day trip to the Hamptons.
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Abstract Expressionism’s Missing Link
Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, which was organized by Klaus Ottmann and Dorothy Kosinki for The Phillips Collection, Washington DC. (February 9–May 23, 2013) and is currently at the Parrish Art Museum, Watermill, New York (July 21–October 27, 2013), is — for many reasons — both long overdue and a game changer. For one thing, it brings Alfonso Ossorio back into view.
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A Museum Takes Art on the Road
I had arrived at that inevitable point in every coastal vacation where I felt that if I saw one more light-flooded, water-meets-horizon landscape, I would boot. Just when I thought I couldn’t take any more, I stumbled upon the Parrish Road Show, a series of installations and events organized by the Parrish Art Museum in Southampton, NY. Described as “an innovative summer series created to generate transformative convergences between artists, visitors and diverse members of Long Island’s East End community,” the Road Show cured my seascape sickness by demanding something more from me as a viewer than a casual gaze as I walk by; the artworks triggered action.
