The infamously crude TV and film franchise continues a tradition of cinematic physical comedy going back to the Silent Era.
This weekend, artist Lorenzo Bussi collaborated with cleaning workers to protest poor working conditions and low pay at the glitzy contemporary art museum.
Curated by Monika Fabijanska, Betsy Damon — Passages: Rites and Rituals pulls Damon’s performance practice out from oblivion.
Nowhere in the museums’ advertising blitzkrieg for the performance were we told to bring our wildfire-season masks as well as our covid masks, and covid masks don’t prevent smoke inhalation.
Fifty years ago, poet Heberto Padilla was forced to publicly denounce himself and his friends as counterrevolutionaries.
Gale considers the work occurring behind the scenes and how technologies structure our experience of live performances.
The poet talks to Hyperallergic about A Little Devil in America and the process behind his new music podcast, Object of Sound.
“As a Black woman artist, I get asked about the political meaning of my work, but I don’t often get asked why it looks the way it does.”
Videos of Jonothon Lyons, an accomplished performer, have gone viral for his romps around New York City in a lifelike rat costume.
Starting at Seneca Village and ending at the Manhattan Trump Hotel, artist Dragonfly honored the legacy of Ona Maria Judge Staines, who escaped from George and Martha Washington’s enslavement.
Members of the She Loves Collective led a striking procession along the Los Angeles River to raise awareness about the Nagorno-Karabakh war.
Gabrielle Civil, mayfield brooks, and Jasmine Nyende respond to Nikita Gale’s installation PRIVATE DANCER at the California African American Museum.