Posted inArt

The Refrigerator as a Window onto the Soul

To peer into one’s refrigerator is to peer into one’s soul — at least, that’s the premise of You Are What You Eat, a photography series by San Antonio–based photographer Mark Menjivar, on view at Boerum Hill’s delightful micro gallery 0.00156 acres. The seven photographs featured in the exhibition depict the interiors of refrigerators in various US households, images Menjivar took over three years spent traveling across the nation, curious about America’s eating habits.

Posted inArt

Populating the Empty Spaces of Detroit

What’s most often missing from pictures of Detroit are people. They don’t quite work in the landscape of ruin porn, enamored as it of empty, decaying spaces that seem beautiful precisely because they’re devoid of the life they once had. Showing people would suggest that Detroit is more than just a string of abandoned tableaux waiting to be photographed by the next person passing through.

Posted inArt

Our Selfies, Ourselves

There was a period when I didn’t know what, exactly a “selfie” was. It sounded like a euphemism for something. Now I know that it’s just a self-portrait — our medium of choice for Facebook and Instagram (RIP). Two recent phenomena, faked selfies and art critic Brian Droitcour’s #artselfies, take the format to the next level.

Posted inArt

Staging Childhood Through a Nostalgic Lens

No holiday season is complete without a viewing of Home Alone, the classic film in which a young Macaulay Culkin is left to watch mob flicks by himself while his family heads to Paris for Christmas. Though few of us can boast of having fended off a couple of crooks from the family mansion, we all cherish our own childhood memories of times when distracted parents or inattentive babysitters allowed us to act on our imaginative impulses. Day Tripping, photographer Julie Blackmon’s stunning new show at the Robert Mann Gallery, captures the mischief and magic that brew when adult backs are momentarily turned.

Posted inArt

Contemporary Photographers Remix Modern Masters

The Aperture Foundation, created in 1952, did much to alter photography’s reputation at a time when it was not yet considered art. Sixty years later, for the current anniversary exhibition, Aperture Remix, the foundation commissioned ten photographers — Rinko Kawauchi, Vik Muniz, Taiyo Onorato and Nico Krebs, Martin Parr, Doug Rickard, Viviane Sassen, Alec Soth, Penelope Umbrico, and James Welling — to revisit and respond to one of its publications, an issue of Aperture magazine or a photography book, that inspired their own work.

Posted inOpinion

Spectacular Living Pictures

Yesterday on my rounds of Chelsea, I stumbled upon three amazing photographs on the walls of Andrew Edlin gallery. Included as part of Collectors of Skies, a wonderfully eclectic if somewhat theoretically abstract group show, each is a photograph of thousands of soldiers brought together to form a larger image — so for instance, 25,000 officers and men forming “The Human Liberty Bell.”

Posted inArt

Secret Dildo Sculptures and Abstract Neon Erotica

CINCINNATI, Ohio — The doors at the top of the gallery steps swing open with a crash. The touring Broadway show is over at the adjacent performing arts hall, and the matinee crowds pour into the Alice F. and Harris K. Weston Art Gallery, a massive glass box situated on a busy street corner in downtown Cincinnati, Ohio. They’re in a hurry, these Blue Man Group faithful, heading to nearby garages, but many stop for photos and others stay and linger over Taint, a sprawling exhibition by artist Anthony Luensman featuring large-scale sculpture, photography, and video spread over the gallery’s two floors.

Posted inArt

Dreaming in Argentina When Juan Perón Was President

There are a many reasons to go see Faking It: Manipulated Photography Before Photoshop, curated by Mia Freeman, at the Metropolitan Museum of Art. Yves Klein leaps into the void and Lyndon Johnson’s nose grows long and pointed (would that this would happen to all politicians who lie to their constituents!). Freeman presents the work in thematic groups, such as “Politics and Persuasion” and “Novelties and Amusements.

Posted inOpinion

Fleeting Glimpses of Scientific Knowledge, Turned Into Art

Words and writing, even those you’re seeing here, are an imperfect vehicle for communication. There’s always a disconnect between the writer and their audience; meaning is translated through a medium that’s easy to misunderstand or misinterpret. Spanish photographer Alejandro Guijjaro’s Momentum series proves that point with poignant photos of partially erased chalkboards.

Sign In

We've recently sent you an authentication link. Please, check your inbox!

Sign in with a password below, or sign in using your email.

Get a code sent to your email to sign in, or sign in using a password.

Enter the code you received via email to sign in, or sign in using a password.

Subscribe to our newsletters:

OR

Privacy Policy