@ChangeTheMuseum is posting “stories of unchecked racism” that speak to the discriminatory practices plaguing cultural institutions.
Incidents include a staffer being asked to cut their dreadlocks and the permanent installation of a plantation parlor against the advisement of Black staff.
John Wilson’s 1952 mural “The Incident,” is a salient meditation on the horrors of lynching and though physically lost, the mural endures in archival images, preliminary sketches, and studies.
A campaign to fight racism against Black players in soccer stadiums backfired as it presented controversial images of primates to advance its message of tolerance.
Four art students in Savannah, Georgia, were confronted by a man telling them to speak English.
Racist incidents like the one that targeted school children at the Boston MFA are neither the beginning nor the end. They underscore the museum world’s frequent failure to serve marginalized communities.
Though it will still appear on some merchandise sold in northeast Ohio and the Arizona city where the team holds its spring training.
Five artists and writers will take on the racist narratives that shape American culture in a day of events at MoMA PS1.
The small chamber was at the heart of intellectual life in New England from 1766 to 1820, and then it all but disappeared.
A show at 3-Legged Dog relies on the premise that the patient — the nation — is so ill, the most barbaric form of intervention is necessary: bloodletting.
The artist was no reactionary. He was a staunch liberal and a strong believer in an inclusive country.
Her tumultuous charcoal drawings enshrine an unresolved US narrative filled with racism, martyrdom, and political violence.