Art Review
Indigenous Art History Has Been Waiting for You to Catch Up
The late Jaune Quick-to-See Smith’s final curatorial salvo — the largest show of Native American art to date — carries an elegiac weight, but also thrums with life.
Art Review
The late Jaune Quick-to-See Smith’s final curatorial salvo — the largest show of Native American art to date — carries an elegiac weight, but also thrums with life.
Art Review
Fresh and challenging, Smith’s art sits on the cusp between eccentric abstraction and automated sci-fi figures, and contributes to Chicago’s dense art history.
Art Review
The artist’s dreamy paintings and drawings transcend any specific culture, instead drawing on a perennial understanding of the sacred.
Art Review
Works by Ana Mendieta, Derek Jarman, and P. Staff ask us to acknowledge loss — but also to see it as a way into altering the shape of our world.
Art Review
In this exhibition, we are relying on the information we’re given to try to attain a mythologized goal that is always out of reach.
Art
The first North American exhibition of one of Ukraine’s most important artists reclaims his legacy while the country weathers Russia’s war.
Book Review
Rife with descriptions of “seductive” works, the former “New York Times” Paris bureau chief’s book reads more like a travel guide than the impartial reporting of a journalist.
Art Review
Known as the “soul of the Morgan,” Belle da Costa Greene established the Morgan Library & Museum’s collection and lived as a “passing” Black woman in the early 20th century.
Art Review
The artist’s avant-garde video works draw from his time working at an experimental psychiatric hospital in the 1960s–70s.
Art Review
Perhaps Abraham Lincoln Walker invented these people and the stories that brought them together because he desired the play of recognition between human beings.
Art Review
His art cuts to the core of our engagement with art past and present, looking at foundational interactions between viewers, art objects, and art institutions.
Book Review
No Man’s Land, Pakistani artist Amin Gulgee’s first comprehensive monograph, maps his interest in exploring ritual, science, grief, and healing in a visual language all his own.