Art
Peace and Grief in the Art of US Veterans
The exhibition Not Alone provides access to a complicated and difficult subject matter that intends to open up and bridge dialogue between civilians and those who have served.
Art
The exhibition Not Alone provides access to a complicated and difficult subject matter that intends to open up and bridge dialogue between civilians and those who have served.
Art
In his new body of work, Mark Seliger, who is primarily a celebrity photographer, engages with the trans people in his own neighborhood.
Art
Gottfried Lindauer's portraits present a collective history of colonial New Zealand, capturing individual identities in a time of great social change and upheaval.
Books
Darby English’s new book 1971 decries black nationalist demands for a unified artistic community in favor of abstraction, individualism, and personal autonomy.
Art
We are not likely to stop and ponder the things we daily pass by and over, but Julia Fish clearly does.
Art
Other than their use of a camera, these photographers appear to have little in common, which I think is a good thing.
Books
Four million people (mostly civilian) were killed in the three years of the Korean War, and it is estimated that a million more Koreans were displaced in its aftermath, but here in the United States, the war is frequently referred to as “forgotten.”
Art
As I walked through the two floors of the museum I kept asking myself, where am I in this celebration of upper-class gay white male creativity?
Art
Pettibon’s real subject is not the hypocrisy, mendacity, and stupidity of political leaders, but the Thanatos-driven impulses that compel us to empower those leaders in the first place.
Art
Sam Durant’s exhibition Build Therefore Your Own World at Blum & Poe examines and creates points of connection between the transcendentalists and African Americans.
Art
Duane Linklater's exhibition at 80WSE asks us to consider how knowledge and tradition are transmitted.
Art
Who would have thought that Dubuffet's “art brut” style would eventually find an affinity with the gritty, unconventional large-scale paintings Poons made three decades later?