Art
Traces of Human Civilization, Cast from Styrofoam Packaging
The exhibition in the back room of A.I.R. Gallery's new space in Dumbo feels like a cross between a temple and an archaeological site.
Art
The exhibition in the back room of A.I.R. Gallery's new space in Dumbo feels like a cross between a temple and an archaeological site.
Performance
Trash Cuisine is a play about the visceral horrors of political violence.
Art
The idea is so ingenious, it almost seems obvious: take advertisements and remove the text that makes them so, leaving only a string of images behind.
Art
LONDON — How do you tell a story that does not want to be told?
Art
Much has been made of the current Kehinde Wiley retrospective at the Brooklyn Museum.
Art
For the last several years now, as the credits roll at the end of her films, artist Hito Steyerl’s name, rather than appearing alongside the typical “Written and Directed by,” is listed with roles (or non-roles) considerably more blurred and expressionistic.
Art
Where are the indigenous stories, communities, and artists within “American” contemporary art?
Art
With new technology comes new opportunities to augment our reality, and two art projects now on view in Brooklyn experiment with our interaction with sound through electronic devices.
Art
LOS ANGELES — “You don’t experience the sublime looking through double glazing, or at a distant electric storm, or watching a sea rage on TV.”
Art
In terms of freewheeling, soul-bearing angst, Abstract Expressionism might once seemed to have had the final word.
Books
The Oulipo, short for the Ouvroir de littérature potentielle [Workshop for potential literature], was founded in Paris in 1960 by two polymaths: Raymond Queneau, a former surrealist known for writing Zazie in the Metro, and François Le Lionnais, a mathematician and engineer.
Art
Tom Burckhardt just keeps getting better and better.