Art
The Nuclei of a Material World
NEWBURGH, New York — There’s a new year out, and might it not turn on new ways of looking at questions, problems, and their solutions? Or so we’d like to think, about art as much as life.
Art
NEWBURGH, New York — There’s a new year out, and might it not turn on new ways of looking at questions, problems, and their solutions? Or so we’d like to think, about art as much as life.
Art
MINNEAPOLIS — It takes real brass for a painter to revisit geometric abstraction and color theory at this point in the art historical game, but Ruben Nusz is no dilettante in that generations-long conversation.
Art
LOS ANGELES — Bob Mizer and Tom of Finland are to queer pop culture something like Picasso and Braque are to 20th-century abstraction: shocking then but still rich and surprising.
Art
DALLAS — It's rare that I walk into an art museum or gallery exhibition and am unequivocally blown away, but occasionally you can catch lightning in a bottle. That was the case with the Jim Hodges exhibition Give More Than You Take, currently on view at the Dallas Museum of Art (DMA).
Art
Consider two reds: a pure cadmium red medium — all fiery denseness — alongside a burnt sienna, equal in tone but utterly different in character: subdued, stoic, retiring. They jostle and shift, eager to separate. Plunk next to them a throng of blues, some deep and jewel-like, others brightly vacant.
Art
SAN FRANCISCO — Wayne Thiebaud, whose exhibition Memory Mountains recently closed at the Paul Thiebaud Gallery in San Francisco, turns 94 this year. Consisting of nearly fifty paintings and drawings of mountains and mesas done between 1962 and 2013, this survey exhibition reveals another side of a p
Art
Against a backdrop of artistic, technological, political and social developments, the American Visionary Art Museum (AVAM) in Baltimore is presenting Human, Soul & Machine: The Coming Singularity! Timely and full of surprises, it is an exhibition that exudes a sense of urgency unlike that of many ot
Art
Asia Society's Iran Modern is a must-see exploration of a period little known in the West but infinitely interesting for its non-Western responses to modernity, its embrace of the developing world, the prevalence of prominent female artists at a time when the same wasn't true most elsewhere, and its
Art
On New Year’s Eve I found myself ringing in 2014 at Outlet gallery in Bushwick, watching Miao Jiaxin’s performance piece “News." It was a fitting choice: "News" elicits a hollow catharsis not unlike a New Year’s Day hangover.
Art
PARIS — My long encounter with Philippe Parreno’s vast but fey exposition Anywhere, Anywhere, Out Of The World was anything but otherworldly.
Art
Roni Horn has been traversing and transcribing Iceland since 1975, when she was still a student of art, first at the Rhode Island School of Design (RISD), then at Yale University, where she received her MFA in sculpture. Of course, her work is not solely about Iceland, but it seems to be so much a p
Art
Roni Horn has been traversing and transcribing Iceland since 1975, when she was still a student of art, first at the Rhode Island School of Design (RISD), then at Yale University, where she received her MFA in sculpture. Of course, her work is not solely about Iceland, but it seems to be so much a p