How is legacy defined, who defines it, whom does it serve?
The films created by the legendary artists move beyond pure documentation, adding layers of context and revealing insights into their respective practices.
Revisiting Smithson’s earthworks “Spiral Jetty” and “Partially Buried Woodshed,” which have dramatically changed 50 years later.
The short documentary Utah Sequences, previously thought to be lost, purely displays Nancy Holt’s vision of time and place.
In 2018, she became the first female Land artist in the Dia Art Foundation’s collection, but it has taken decades for Holt to gain recognition. A new exhibition argues she was truly an artistic innovator.
Spencer Finch, “Great Salt Lake and Vicinity” (2017), commissioned by the Utah Museum of Fine Arts (all photos courtesy UMFA) In describing the surrounding landscape of Spiral Jetty in a 1972 essay, Robert Smithson gives us ample descriptions of color, from the “deposits of black basalt” to “shallow pinkish water” to his sublime view of “a […]
Delirious at the Met Breuer is an exhibition filled with beautiful but comparatively polite works by habitually transgressive artists.
If art is to be relevant to the environment, it needs to move beyond an art context to engage with the land itself.
The lake that hosts Robert Smithson’s landmark earthwork is desiccating at an alarming rate.
At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.
Pop, an exhibition currently on view at James Cohan’s new Grand Street location, explores a more obscure phase of Robert Smithson’s tragically brief career: his figurative engagement with popular culture.
In his new documentary, Troublemakers: The Story of Land Art, filmmaker and art historian James Crump digs beneath the surface to explore the personal lives, artworks, and historical treatment of three land artists: Michael Heizer, Walter De Maria, and Robert Smithson.