For his most monumental painting, Théodore Géricault borrowed corpses from morgues and asylums to capture the ghastly horror of the 1816 Medusa shipwreck.
Romanticism
Posted inArt
J.M.W. Turner, the Sublime, and Me
LOS ANGELES — “You don’t experience the sublime looking through double glazing, or at a distant electric storm, or watching a sea rage on TV.”
Posted inArt
Nirvana for Lovers of Victoriana
LONDON — A Victorian Obsession is a touring exhibition of the largest collection of Victorian painting outside Great Britain: 52 works of consistently staggering technical quality and significance, owned by Mexican businessman Juan Antonio Pérez Simón.
Posted inArt
The Romantic Symbolism of Trees
The Romantic landscape artists of the 18th and 19th century were so obsessed with nature and the skies above that in 1856 critic John Ruskin called the frenzy “modern-day cloud worship.”
Posted inArt
Who Is the Real Monster in Frankenstein?
CHICAGO — There’s an archetypal monster in your mind, and his name is Frankenstein. In a lecture presented this past Saturday, November 9, at the Chicago Humanities Festival, Heather Keenleyside discussed this notorious monster in relation to this year’s theme “Animal: What Makes Us Human?”
Posted inArt
When Nightmares in Art Were All the Horrifying Rage
The horror of what your brain can do when you give it up to sleep is universal, yet the heyday of the nightmare in art seems to have passed.
