Bill Rice’s paintings are glimpses of Manhattan’s old East Village of crime, abandonment, cruising, and hanging out.
Steven Harvey Fine Art Projects
Anne Harvey in a Club of One
There is the singular artist and then there is the more exclusive club that has only one member. Harvey belongs to the latter.
Peter Acheson Trades Heroism for Humility
In an age dominated by narcissism and material excess, Acheson’s anti-heroic position as an admirer of other artists should be something that we reflect upon.
Stanley Rosen’s Embrace of Vulnerability
If art is regarded traditionally as an impermeable form that resists the effects of time, Rosen acknowledges and accepts their inevitable triumph.
Painting and Time’s Winged Chariot
Paint’s materiality has a capacity to release meaning into the work, to underscore our vulnerable bodily presence in the world and time.
An Artist Standing Outside an Either/Or World
L. Brandon Krall seems simultaneously to embrace systems and flights of imagination.
A Not Completely Lost History
The artists in Post prove that paintings and drawings can be captivating years after they were done, and that a timely style has a way of becoming uninteresting, even mummifying.
Painting the Extreme Intimacy Between a Mother and Her Infant Child
In Madeline Donahue’s first solo exhibition, Attachments, the relationship between a mother and child threatens to subsume each individual into one being.
Relearning to Draw with Strips of Colored Tape
You could say that Sangram Majumdar is learning a way of drawing in which mastery is beside the point.
Pure Paint, Impurely Deployed
Jason Stopa is a historically savvy painter whose approach to Pop Formalism can cut either way, toward reflexive irony or an expanded employment of the language of paint.
Artists Update Bygone Myths
Even as Pollock was eliminating mythology in his work, younger artists born in the 1920s were finding ways to make it fresh.
Susanna Coffey Studies the Nature of Portraiture
For years, Coffey has produced modestly scaled self-portraits with not a brushstroke of flattery.