Opinion
Lonnie Bunch’s Resignation Is a Wake-Up Call
Trump was a necessary blunt instrument for the coordinated fascist assault on the United States, but a hammer no longer matters once a picture has been hung on the wall.
Opinion
Trump was a necessary blunt instrument for the coordinated fascist assault on the United States, but a hammer no longer matters once a picture has been hung on the wall.
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But the federal government’s threats to institutional independence could undermine these upward trends.
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Billionaire philanthropist David Rubenstein reportedly plans to install "Blue" (2019) in the sculpture garden at the National Gallery of Art.
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“I leave with pride and sadness,” said the institution’s secretary, pledging to continue fighting to “protect the integrity of the Smithsonian.”
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The announcement follows a series of recent rollbacks on federal protections of historically significant sites.
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The seizure of the allegedly smuggled artifacts comes amid the agency’s escalating violence and the Department of Homeland Security’s waiver of cultural preservation safeguards.
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Artists and activists condemned the National Park Service’s dismantling of "Blue” (2019), calling it an example of “Trump’s continued vandalism of the nation’s artistic treasures.”
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The piece, which read “8647” in yellow corn kernels, was taken down at the artist’s request after she was threatened and doxxed by right-wing agitators.
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“Young Artists After Siamesa 1960” (2015) was removed from the US Embassy in the Dominican Republic and could be sold.
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The bronze sculpture depicts the notorious former Secretary of Homeland Security in full “ICE Barbie” gear with her favorite horse, regrettably named “Iceman.”
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I.M. Pei skylights and an outdoor Alexander Calder sculpture are among the structures that have been boarded up ahead of this month’s race.
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As a heavily Trump-appointed council tries to loosen preservation safeguards, Democrats are spearheading the PRESERVE Act to protect publicly commissioned art.