Art
Willem de Kooning’s Italy
Paintings from the late 1950s and on prove that de Kooning had sat at the feet of, and learnt much from, such old Italian masters as Titian and Tintoretto.
Art
Paintings from the late 1950s and on prove that de Kooning had sat at the feet of, and learnt much from, such old Italian masters as Titian and Tintoretto.
Film
The Thief Collector goes beyond the 1985 theft of Willem de Kooning’s “Woman-Ochre” to explore the speculative history of the presumed thieves who held onto it for over 30 years.
News
Willem de Kooning's “Woman-Ochre” was sliced out of its frame at the University of Arizona Museum of Art in a notoriously brazen theft.
Art
It seems to me that Soutine’s complete lack of interest in the cubists’ desire for order was exactly what appealed to de Kooning.
News
Willem de Kooning’s “Woman–Ochre” was missing for over 30 years. Now recovered, it shows signs of mishandling and amateur restoration that are difficult to fix.
Art
When an exhibition is as puzzling as this one, it’s useful to step aside and reflect.
Art
This expansive AbEx show is brash, irreverent, and unconstrained, just like the period it aims to express.
Art
WASHINGTON, DC — In her ongoing series Le ‘NEW’ Monocle, Shana Lutker creates stage sets and performances based on the circumstances and philosophical undertones of fistfights instigated by Surrealists in Paris in the 1920s.
Art
With America Is Hard to See, the exhibition inaugurating its luminous new Renzo Piano building, the Whitney has reclaimed its role among the city’s museums as the engine of the new.
Art
After excavation, ancient artifacts embark on an afterlife of interpretation. From Ancient to Modern explores how the archaeology of Mesopotamia reflected fashions and academia of the 1920s and 30s, and influenced contemporary art.
Interview
PARIS — I recently met in my studio the writer Jake Lamar, a New York ex-pat living in Paris, and spoke to him about his new novel, Postérité (The original English title is "Posthumous"), that will be published today in French by Rivages.
Art
LONDON — The world of Gardar Eide Einarsson is one of resistance, negation, and opposition. His works are usually based on coded messages and decontextualized signs taken from various subcultures, hard-core punk, and criminality, with references to terrorists and murderers.