The Mount Rushmore of Racism

Blizzard shuts down museums in New York, Prince Andrew's arrest photo is hung at the Louvre, a beloved hand-drawn calendar in Los Angeles, and a biography of a mountain.

Can't New Yorkers catch a break? Just when the stubborn mounds of filthy snow that haunted us for weeks finally began melting away, we got hit with a blizzard that shut down all art institutions and blanketed the city in white again.

Speaking of whiteness, after forcing his name onto the Kennedy Center and slapping his portraits on the facades of federal buildings, what's the one honor that could maybe fill some of the deep hole inside of Trump's soul? Seeing his likeness engraved into Mount Rushmore might be it. And you know what, that would be a fitting addition to the monument, whose history is steeped in racist ideology, as a recent book by Matthew Davis explains. In his review of the book today, Irvin Weathersby Jr. stresses the importance of revisiting the real history of the monument as we approach the country's 250th anniversary.

—Hakim Bishara, editor-in-chief


Gutzon Borglum and a superintendent inspecting work on the face of Washington on Mount Rushmore on May 31, 1932 (image public domain via the Library of Congress)

Chipping Away at the Facade of Mount Rushmore

How do you write a biography of a mountain? Author Matthew Davis deftly weaves together interviews and stories that reveal so much more than a linear narrative of the monument’s history.


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Detroit Institute of Arts Reinstalls African American Galleries at the Heart of the Museum

African American art history has often been underrepresented. “Reimagine African American Art” invites visitors to discover transformative works across two centuries.

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News

Former Prince Andrew's arrest photo at the Louvre in Paris (via Instagram)

A Closer Look

Nib Geebles's “Happy Lion Arts & Gifts, Chinatown” (courtesy Gordon Henderson and Abira Ali)

Artists’ Calendar Celebrates LA’s Everyday Landmarks

For 40 years, artists Nib Geebles and Abira Ali have highlighted the unspoken, day-to-day minutiae of their hometown in their locally celebrated calendar, gesturing with tongue-in-cheek to the politics of urban space in a rapidly evolving city. Urban decay is the muse of the 2026 calendar, “Unknown Landmarks,” from strip malls in Highland Park to flower shops in Eagle Rock. Sophia Haydon-Khan has the story.

How to Tell the Story of Extraction in Appalachia

Lauren O’Neill-Butler writes about Swedish artist and writer Fia Backström's years-long research into environmental degradation in Appalachia and its impact on local communities, resulting in a series of works now on view at the Queens Museum.


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Prisoners of Love: Until the Sun of Freedom

The only US presentation of this exhibition by renowned artists Basel Abbas and Ruanne Abou-Rahme is on view at The Bell Gallery, Brown University.

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Member Comment

Lowery Sims on Renée Reizman’s “LA’s Art Scene Is Not a New York Outpost”:

Thanks so much, Renée, for the reminder of Arlene Raven's role in the founding of the Women's Building. There was a period there for a while, that her name was left out when ever this project was mentioned. Deeply appreciated.

From the Archive

Protesters sprayed the phrase “LAND BACK” on riot shields held by police sent to the action at Mount Rushmore on July 2, 2020. (photo Candi Brings Plenty)

Mount Rushmore Is Not My Monument

For a century, our connection to the Black Hills has been disrupted by this eyesore and those who flock to a place that we see as our relative, our grandfather and grandmother. | Clementine Bordeaux