Art critic Philip Kennicott published a guide to viewing art in the Washington Post this week. Lovely and thoughtful though it is, parts of it just seemed sort of … old-fashioned, you know? A little 20th century, if you will. Being a millenial, I took it upon myself to update the guide to better reflect our new, late capitalist, hypernetworked reality. Herewith, five indispensable tips for kinda viewing art.
1. Take Time
… lots of it, because you’ll need it. The most important thing when visiting a museum is to see as much artwork as possible, since, let’s be honest, you don’t manage to go that often, do you? Yeah, didn’t think so.
The best way to ensure that you see enough art is to set an Instagram quota for yourself for the day’s visit. Think about how many photos you posted on your last art outing and try to up the number by some reasonable amount, like 10. Bonus points if all the photos are selfies, but keep in mind that this might be difficult to achieve if you don’t have enough selfie experience. Maybe try starting with a selfie with every work in one specific gallery, for instance. Be aware of your strengths and limitations, and of those of your Insta followers. #awesome
In order to leave yourself enough time, line up at the entrance to the museum at least half an hour before opening time. Plan to spend the entire day with frequent breaks and trips to the various cafes and restaurants within the institution, since food is the new art anyway. Make sure to Instagram those meals, too — your warm goat cheese and toasted walnut salad alongside your favorite newly discovered Minimalist sculpture might make make for a slightly ironic but also intriguing visual comparison.
2. Bring a Friend
For art critics, the way to process art is through writing; for laypeople, it’s through talking. Bring a friend or a date to help you talk your way through whatever art you’re planning to see — conversation in front of a painting inevitably produces fresh insights. If you can’t find an equal, think about bringing a child, either your own or one borrowed from a friend. You’ll be amazed at what thoughtful art viewers kids can make.
If that’s not an option either, visit alone but plan to be bold and make acquaintances (famous artworks are best for this: there’s always a crowd around the “Mona Lisa”). This has its advantages: strangers can offer perspectives you might never even dream up — plus, you never know what might happen. A long, involved, unbelievably romantic story of how you met your future spouse while seeing art will make for a great entry on your future wedding website.
3. Go with an Open Mind
And by that I mean really open. Some people say you have to read and learn about art to understand it, but that’s really only if you’re a critic or an academic. Everyone else (the lucky bastards) gets to just see and experience art, rather than having to think about it so hard. If you’ve looked at the work and still want to know more, read the wall label. If that’s not enough, you could consider a docent-led tour, definitely a good way to meet people and engage in conversation.
But there are more interesting and original ways to open yourself up to art and commune with it. Try talking to the work, or moving around in front of it, letting your limbs lead you into a freeform improvisational dance. If you see a vibrant red and it inspires lust, run with it. Find a way to express the feelings the art stirs within you before, like everything else, they’re gone.
Later, when the museum’s about an hour from closing time, visit the gift shop. Try to find the mouse pad, calendar, umbrella, watch, or water bottle that most embodies your experience that day, and buy five of them: one for you, four to share with your closest friends who really get you.
4. Don’t Worry Much about Remembering Things
Back in the day before the internet, people had to remember any and everything they thought was worthwhile — texts, how to cook a chicken, their age, etc. Now that the digital blessings of computers and smartphones have been bestowed upon us, we’re able to free up that memory space for day-to-day minutiae, like whether or not we forgot to turn off the stove last night.
The same applies to art: it used to be you had to remember the names of specific pieces and artists you like, but thankfully now it’s all just a Google Image search away! Instagram also comes into play here: the more photos of artworks you post, the fewer you’ll have to remember. This is also why it’s good to visit with a friend — if you can’t remember enough to get a solid Google/Google Image search going, just text them. Between the two of you, you might just be able to figure out who made that immersive installation filled with found trash, flickering lights, and taxidermy that you took selfies in and what it was called.
5. Seek Out Art that Fits Your World View
These days there’s so much art being made and shown, it can be hard to know where to start. I find it’s always good to seek out art that reflects your own ethos and approach to life. Art can be many things, but it’s probably most effective when it’s a mirror — either literal or figurative — reflecting yourself and your ideas back at you. If you’re into abstract art but find its politics hard to decipher, just look at the institution that’s showing it and you should get some answers.
Some say art is meant to be beautiful; others argue it should seek to enlighten or enliven. It doesn’t really matter what camp you’re in as long as you’re in one. Seeing art is worthless until you walk away with four things: a story to share about your experience, an opinion about what it meant, a larger lesson to draw from it, and at least one Instagram. This is how you effectively view art in the age of social media.
Artist Minouk Lim wants to offer a very different perspective on how one might deal with a grim history whose effects continue to be felt in the present.
This week: Should Washington have a national memorial for gun violence? Have cats used us to take over the world? What is Cluttercore? And more.
Organizers, artists, and land practitioners are holding public events at Iglesias Garden in a hub space supported by the Climate Justice Initiative, a project of Mural Arts Philadelphia.
The artist’s style blends aesthetic and cultural elements from Ghana, London, and New York’s graffiti scenes.
Workers told Hyperallergic that they were tired of meager pay and a lack of job security.
Jo Sandman / TRACES opens with a reception for the artist on June 3 at Black Mountain College Museum + Arts Center in Asheville, North Carolina.
Authorities say Jean-Luc Martinez helped facilitate the Louvre’s purchase of objects illegally pillaged during the Arab Spring.
The suspects attempted to take a Basquiat artwork valued at $45,000 from Taglialatella Galleries but instead made off with a half-empty bottle of whiskey.
Funding MFAs and all full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
From music and architecture to comedy and horror, these films showcase Ukrainian culture and its long-held ethos of resistance.
The artists showcased in Archival Intimacies examine the colonial trauma’s impact on Asian Americans and search for ways to overcome it.
Eiffel inadvertently paints its protagonist not as a great man worthy of scrutiny or praise, but as the Elon Musk of his day.