Using satellite imagery from 2010, 2011, 2013, and 2014, the Operational Satellite Applications Programme (UNOSAT) of the United Nations Institute for Training and Research (UNITAR) has mapped the intensity of cultural damage to cities across Syria. The exact numbers still need to be validated on the ground, but the maps confirm the impression of devastation. Its analyses have “revealed a total of 13,778 affected structures in Homs, 8,510 in Aleppo, 5,233 in Hama, 3,112 in Deir Ez Zor, 467 in Ar Raqqa, and 351 in Daraa.”
As well as the precise numbers of damaged and destroyed properties, responsibility for such material harm needs to be established. Reckless destruction of civilian property constitutes a war crime. Targeted destruction of cultural and community property constitutes a crime against humanity. Whether by investigators or their sources, responsible reporting is key to management of conflict and prosecution of crimes. Some reports appear to have misattributed responsibility for genocidal destruction.
For example, a month ago, Hyperallergic questioned Robert Fisk’s claim that Jabhat al-Nusra (JaN/JN) rebels, rather than the Islamic State (IS), had destroyed the Armenian Genocide Memorial Church in Deir el-Zour, Syria. Fisk’s report was ‘riddled with peculiarities, mistakes, contradictions and historical inconsistencies‘ and appeared ignorant of public evidence. Conflict Antiquities had published open-source analyses a month-and-a-half before Fisk’s article went to press. Yet the Independent has not even corrected the date of Armenian Genocide memorial day — which is on the 24th of April, not the 25th — let alone addressed any of the other concerns.
As it stands, the evidence points towards Islamic State responsibility. And, since Hyperallergic’s report, observers have affirmed its interpretation. Syria-focused conflict journalist Aris Roussinos observed: “Fresh from confusing JN/Junud ash-Sham in Idlib with IS, Fisk now confuses IS in DEZ [Deir el-Zour] with JN.” Iraq/Syria-focused political scientist Aymenn Jawad Al-Tamimi assessed: “Fisk gets basics wrong in accusing Nusra of destroying Armenian church in Deir az-Zor … no Nusra presence there anymore.” Intensional suggested: “Most noteworthy here is how neither Fisk [nor] the Independent seem to give a shit they were obviously wrong.”
Al-Hadid’s new mosaic features the famed clock that hung at the entrance of the original station until the building was demolished in the 1960s.
The excavation project also yielded Old Kingdom-era amulets, stoneware, and daily-use tools.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
The steel spike clad in gold and silver commemorated the completion of the Transcontinental Railroad in 1869.
Thanks to a $3.3 million grant from the state’s Creative Corps, artists can now apply to bring the project to their neighborhood.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Alicia Piller, Brad Phillips, Mulyana, the MexiCali Biennial, and more.
Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.
A festival dedicated to Davinci’s The King Show celebrates the LA artist’s trippy remixing of stock footage, Hollywood cinema, and theater.
Located in Des Moines, Iowa, this residency for emerging and established artists includes studio and living space, a $1,000 monthly stipend, and more.
20th Century Indian Art: Modern, Post-Independence, Contemporary surveys the many distinct aspects of art in South Asia.
Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.