Support Hyperallergic’s independent arts journalism.
This evening, as trustees and VIPs arrived at the Museum of Modern Art (MoMA) for its annual “Party in the Garden” gala, they were greeted by dozens of the museum’s staff brandishing signs that read “Modern Art, Ancient Wages” and “MoMA, Don’t Cut Our Healthcare.” The protest, organized by MoMA workers and the United Auto Workers Local 2110, which represents them, came in response to a recent breakdown in contract negotiations after the museum demanded that its staff take on additional healthcare costs. For many employees at the protest, among them curators, librarians, members services workers, graphic designers, and catalogue editors, this was a step too far for an institution flush with cash.
“We’re expressing our collective revulsion for the medical givebacks they’ve put on the table; we want the museum to believe us and to know that we cannot afford what they put on the table,” says Danny Fermon, a MoMA librarian and chairperson of the Local 2110 unit at the museum. “But they’re not just going to believe the committee of activists that’s on the negotiating team only. They’re gonna need to hear it from the members, and the members have shown up tonight in larger numbers than I ever expected in this kind of weather.”
Indeed, a group of about 100 protesters had gathered near the entrance to MoMA’s education and research building on West 54th Street by the time the protest began at 6pm. They handed out flyers to passersby explaining the current contract situation, and chanted slogans including “No Contract, No Peace,” “No Give-Back,” and “Cut Our Healthcare, That’s Not Fair.” The group eventually split in two, one stationed outside the Garden Party’s VIP entrance on 54th Street, the other on 53rd Street facing the entrance to the museum’s film building, where trustees were arriving for the gala. Social reporter Nate Freeman, who was attending the party, told Hyperallergic that the protesters’ chants could be heard very clearly inside the party. “I don’t think MoMA’s very happy about it,” he added.
The museum has been in negotiations with Local 2110, which represents more than 200 MoMA employees, since early May. There have already been four negotiation sessions, with a fifth due to take place Wednesday morning. Though the workers’ contract, last renegotiated in 2010 without complications, expired on May 20, the museum and union agreed to extend it by 30 days, through June 20. MoMA’s Local 2110 members have not had to strike since 2000, when the main bargaining chips included healthcare coverage, salaries, and threats of layoffs. Now, as the museum prepares for another expansion and its assets and endowment continue to grow — according to the institution’s financial statements for fiscal year 2014, its endowment and investments were worth $838.9 million in June 2014, up from $706.3 million a year earlier — it is demanding workers pay more for healthcare coverage.
Reached for comment, a spokesperson for MoMA sent Hyperallergic the following statement: “The Museum of Modern Art has an outstanding staff. At this time, we are in the process of negotiations with Local 2110, and are optimistic that we will reach a positive outcome for the staff and all concerned.”
“Quite honestly, we have a lot of people working many, many overtime hours, the majority of which are uncompensated, and so we already have people who are working more than they’re being paid for and we do it because we really love this work — nobody gets a job at a museum to become a millionaire,” said Victoria Wong, a library assistant at MoMA. “So when they come at us and they say, oh, we’ve been financially strained, we need you guys to make contributions by raising our premiums, raising our deductions, raising everything, it’s kind of insulting. We are a museum, we’re a social, cultural institution, and that ethos should be trickling down in its business practices.”
By 8pm, as the last of the partygoers made their way inside the museum, the MoMA employees began to disband, their clothes dampened, but not their spirits.
“I’m hoping that the museum will change its position in bargaining and that they’ll back off these demands for healthcare cuts for members,” said Maida Rosenstein, president of UAW Local 2110. “People have for years accepted lower wages, knowing that as museum workers, somehow the standard is that you work for less, but relied upon having a good benefits program. And I think it translates into loyalty by the museum for its workers. And breaking contract with them shows disloyalty to their own workforce.”
The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
In the Blactiquing Space, curator and collector Kevin Jones presents deeply fraught objects with emotion, connection, and care.
Dobkin caught the attention of critics early on with her quirky and occasionally self-deprecating works, which often center lesbian identity.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.