The Icelandic artist fashions sculptures and wall works from the primary substance of her volcanic and volatile homeland.
Gregory Volk
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Bearing Witness to Breonna Taylor’s Life and Death
There are many in Kentucky who wish to get beyond the Breonna Taylor tragedy, but Amy Sherald’s magnetic portrait of Taylor insists otherwise.
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The Commanding, Flamboyant Joyce Pensato
Pensato favored pop culture flotsam marred by the real world, which she transmuted into adventurous artworks dealing with raw, real world concerns.
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Ragnar Kjartansson’s Extravagant, Enthralling Bliss
It’s hard to imagine how three minutes of Mozart’s Marriage of Figaro repeated for 12 hours can be so riveting.
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Cathartic Art for Precarious Times
Fred Tomaselli’s incorporation of printed news in his paintings long before the pandemic now seems downright prescient.
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Rivane Neuenschwander’s Sensuous Reflections of a Harrowing World
Fear — so pervasive these days — has long been an important theme for Neuenschwander.
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A Survey of American Art That Isn’t Just Coastal
This thoughtfully curated exhibition is evidence that much compelling and adventurous art is indeed being produced all around the country.
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Minimalist Art that Speaks for the Birds
With their exhibition, Look, it’s daybreak, dear, time to sing, Richard Ibghy and Marilou Lemmens investigate the complex, cross-species relationship between birds and humans.
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Seeking the Soul of Iceland
It is not surprising that a music star would have an exhibition at an art gallery. What is surprising is how compelling and meaningful this show, by Sigur Rós frontman Jónsi, really is.
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The Cosmic Vessels of an Adventurous Glass Artist
Josiah McElheny’s glass vessels concentrate the ethereal and boundless into the finite and physical.
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Ragnar Kjartansson’s Panorama of Love and Death
The artist’s Death Is Elsewhere conveys an understanding that humans — relatively recent additions to a 4.5-billion-year-old planet — will come and go. The planet will remain.
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Four Spots in the Venice Biennale to Stop You in Your Tracks
The Biennale’s system of national pavilions may be an outdated relic, but it does succeed in putting a spotlight on countries that typically receive scant art world attention.