Encountering Pierre’s dynamic, intensely colorful oil paintings, sculptures, and works on paper is like entering a spiritually charged, alternate world.
Gregory Volk
Gregory Volk is a New York-based art critic, freelance curator, and associate professor in the Department of Sculpture + Extended Media and the Department of Painting + Printmaking at Virginia Commonwealth University.
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Terry Adkins’s Objects of Wonder
An exhibition at Paula Cooper Gallery underscores not only how engaging and innovative, but also influential and visionary Adkins really was, and remains.
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For An Icelandic Conceptual Art Pioneer, Home Was His Inspiration
Birgir Andrésson was steeped in Iceland’s ways and lore, landscape and history. It was also his complex subject and an energizing force.
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An Artist Honors Iceland’s Wild Nature from a Distance
Jónsi hasn’t just utilized natural materials but has, one senses, collaborated with them, allowing them their own innate power.
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The Profound Soul of Janet Cardiff and George Bures Miller
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
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A Group Exhibition in Iceland Trades Local Character for International Appeal
Many of the works in Iðavöllur are big and chock-full of issues and socially engaged ideas, like so much art elsewhere.
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Ragna Róbertsdóttir’s Landscapes in Lava
The Icelandic artist fashions sculptures and wall works from the primary substance of her volcanic and volatile homeland.
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Bearing Witness to Breonna Taylor’s Life and Death
There are many in Kentucky who wish to get beyond the Breonna Taylor tragedy, but Amy Sherald’s magnetic portrait of Taylor insists otherwise.
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The Commanding, Flamboyant Joyce Pensato
Pensato favored pop culture flotsam marred by the real world, which she transmuted into adventurous artworks dealing with raw, real world concerns.
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Ragnar Kjartansson’s Extravagant, Enthralling Bliss
It’s hard to imagine how three minutes of Mozart’s Marriage of Figaro repeated for 12 hours can be so riveting.
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Cathartic Art for Precarious Times
Fred Tomaselli’s incorporation of printed news in his paintings long before the pandemic now seems downright prescient.
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Rivane Neuenschwander’s Sensuous Reflections of a Harrowing World
Fear — so pervasive these days — has long been an important theme for Neuenschwander.