As if Paris hadn’t suffered enough over the last two years, the city is about to be saddled with an enormous and exceptionally unsightly Jeff Koons sculpture. The oversized SkyMall tchotchke is intended as a gesture of Franco-American solidarity following last year’s terrorist attacks in the French capital (the Charlie Hebdo massacre and the attacks of November 13, 2015, including at the Bataclan concert hall). The giant sculpture, “Bouquet of Tulips” (2016), is slated to be installed in a small plaza between Paris’s municipal Museum of Modern Art and the Palais de Tokyo contemporary art museum in the summer of 2017. In the meantime, the Paris Foundation will work to raise the estimated €3 million (~$3.2 million) needed to cover the work’s production and installation costs from private donors.
“This has nothing to do with current events, and everything to do with American values,” Koons told Le Figaro. “We are living in a time of rupture. I think that ‘Bouquet of Tulips’ transcends the present moment and reaches back to older times, a longer history that goes from Greek antiquity up to today, beyond events that are by their very nature temporary.”
The work will be rendered in a mix of the artist’s highly reflective stainless steel balloon forms and a hyperrealist aesthetic. The 34-foot-tall, 36-ton work is currently being fabricated in Germany — from polychromed bronze, stainless steel, and aluminum — under the supervision of Paris-based fabricator Noirmontartproduction.
“‘Bouquet of Tulips’ references the hand of the Statue of Liberty holding the torch,” Koons said in a statement. “I wanted to make a gesture of friendship between the people of the United States and France. The work also has a dialogue with Pablo Picasso’s ‘Friendship Bouquet’ and his sculpture ‘Woman with Vase‘ in the act of offering. You can also look at the sculpture and think of the Impressionist flowers of Monet or the Rococo flowers of François Boucher or Jean-Honoré Fragonard. Flowers are associated universally with optimism, rebirth, the vitality of nature, and the cycle of life.” This will be Koons’s first major project in Paris since his very popular retrospective was on view at the Centre Pompidou last year, but the artist has a checkered record in France: his 2008 show at Versailles was met with a sharp backlash from conservative commentators and officials.
The sculpture is similar to Koons’s piece “Tulips” (1995–2004), one edition of which casino magnate Steve Wynn bought at auction for $33.6 million and installed at his namesake Las Vegas resort. (Another is in the collection of The Broad.) The new work, though it references the historic statue of Lady Liberty (installed in New York harbor since it was gifted to the US by France in 1886), will be sited just four blocks from the Flame of Liberty in the Place d’Alma. Inexcusably, the renderings of the forthcoming Koons sculpture do not include an image of it grafted onto the Statue of Liberty, so I had to take measures into my own hands.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
Michelle Segre’s art is truer to the actual world we live in than to the ideal one proposed and refined by the art world and its institutions.
The school’s 2022 cohort was encouraged to fail, get messy, and try new things.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
Protesters held signs that read “If men got pregnant, you could get an abortion at an ATM” and “Abolish SCOTUS, Not Abortions!”
Define American has named the fourth cohort of its annual fellowship, which gives grants and career development opportunities to five artists.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
The site of Michelangelo’s famous frescoes has a strict no-photos policy.
Her short film Freshwater is now playing at the Museum of Contemporary Art Detroit.
In the artist’s new exhibition, Black moves away from her signature representation of commercial goods to celebrating the labors behind everyday life.