Last weekend was Thanksgiving in the United States, and I traveled to the Oceti Sakowin Camp at the Standing Rock Reservation in North Dakota. Thousands of protesters — who prefer to be called water protectors — and their allies are trying to stop the multibillion-dollar Dakota Access Pipeline, which is being pushed by the government and major oil companies. The pipeline is set to tunnel under the Missouri River, which is the lifeblood of this scenic region of rolling hills.
The pipeline was originally planned to cross the Missouri north of Bismarck, North Dakota’s capital, but the city, which is majority white and certainly more affluent than Standing Rock, protested for fear that the pipeline would contaminate their water supply. The government approved the decision to relocate the pipeline crossing downriver, by Standing Rock.
The water protectors worry that if — or rather when, as they told me — the pipeline leaks, it will destroy the area’s delicate ecosystem. This looming catastrophe would impact some of the largest Indian Reservations in the country.
In the Oceti Sakowin Camp, the largest of the three camps at Standing Rock, there’s a prominent art tent area. Dozens of artists and volunteers are silkscreening and producing work. Among those artists is Cannupa Hanska Luger, who grew up in Standing Rock. I spoke to him and many other artists who have traveled to the site to stand with or join the water protectors.
I also talked to two Native American artists, Rebecca Nagle and Graci Horne, who have come to Standing Rock to create a Healing Tent and to work on their Monument Quilt project, which addresses sexual violence. The latter is a project fashioned after the well-known AIDS Memorial Quilt. The pair have also organized women-only and Native women-only healing circles for survivors. They talked to me about the prevalence of sexual violence, assault, and stalking against Native American women, particularly in North Dakota, where many so-called man camps house temporary oil workers.
This podcast is the first in a series by Hyperallergic on the situation at Standing Rock. In the coming days, we will also try something new and release two raw interviews from Standing Rock (one full interview with Luger and three of his artist colleagues, and the other is a full interview with Nagle and Horne).
Just hours after these interviews, on Friday, November 25, the Standing Rock Sioux Tribe’s Chairman, Dave Archambault II, announced that the US Army Corp of Engineers would be closing public access to the camp. Two days later the US Army Corp of Engineers clarified its stance to a North Dakota television station and declared:
The Army Corps of Engineers is seeking a peaceful and orderly transition to a safer location, and has no plans for forcible removal. But those who choose to stay do so at their own risk as emergency, fire, medical, and law enforcement response cannot be adequately provided in these areas. Those who remain will be considered unauthorized and may be subject to citation under federal, state, or local laws. This will reduce the risk of harm to people in the encampments caused the harsh North Dakota winter conditions
Since then there have been numerous other reports, and yesterday North Dakota Governor Jack Dalrymple ordered the expulsion of thousands of Native American and environmental activists camped on federal property near the oil pipeline project. It’s quite uncertain what will come next, but you can be assured we will update you as we learn more.
Lewis’s tattered canvases and pasted over drawings mirror a world in need of constant upkeep and repair.
Seeing the Toronto Biennial of Art through my daughter’s eyes helped me push past some of its challenges by experiencing it on a primordial level.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
With its titular blend of Western culture and Asian ethnicity, Tyrus Wong’s “Chinese Jesus” painting embodies Asian American identity.
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
Imelda Marcos and her husband were accused of plundering billions of dollars from the country.
Probably not, but it sure looks like one.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.